clutching the tooth-paste, conducted her to her carriage.

Punctually at 3.15 on Monday Lady Hermione appeared. Paul drew a deep breath of astonishment when he saw her, for she was lovely beyond compare. All his skill as a landscape painter would be needed if he were to do justice to her beauty. As quickly as possible he placed her in position and set to work.

"May I let my face go for a moment?" said Lady Hermione after three hours of it.

"Yes, let us stop," said Paul. He had outlined her in charcoal and burnt cork, and it would be too dark to do any more that evening.

"Tell me where you first met Lord Ernest?" she asked as she came down to the fire.

"At the Savoy, in June," said Paul boldly.

Lady Hermione laughed merrily. Paul, who had not regarded his last remark as one of his best things, looked at her in surprise.

"But your portrait of him was in the Academy in May!" she smiled.

Paul made up his mind quickly.

"Lady Hermione," he said with gravity, "do not speak to me of Lord Ernest again. Nor," he added hurriedly, "to Lord Ernest of me. When your picture is finished I will tell you why. Now it is time you went." He woke the Duchess up, and made a few commonplace remarks about the weather. "Remember," he whispered to Lady Hermione as he saw them to their car. She nodded and smiled.

The sittings went on daily. Sometimes Paul would paint rapidly with great sweeps of the brush; sometimes he would spend an hour trying to get on his palette the exact shade of green bice for the famous Winchester emeralds; sometimes in despair he would take a sponge and wipe the whole picture out, and then start madly again. And sometimes he would stop work altogether and tell Lady Hermione about his home-life in Worcestershire. But always, when he woke the Duchess up at the end of the sitting, he would say, "Remember!" and Lady Hermione would nod back at him.

It was a spring-like day in March when the picture was finished, and nothing remained to do but to paint in the signature.

"It is beautiful!" said Lady Hermione, with enthusiasm. "Beautiful! Is it at all like me?"

Paul looked from her to the picture, and back to her again.

"No," he said, "not a bit. You know, I am really a landscape painter."

"What do you mean?" she cried. "You are Peter Samways, A.R.A., the famous portrait painter!"

"No," he said sadly. "That was my secret. I am Paul Samways. A member of the Amateur Rowing Association, it is true, but only an unknown landscape painter. Peter Samways lives in the next studio, and he is not even a relation."

"Then you have deceived me! You have brought me here under false pretences!" She stamped her foot angrily. "My father will not buy that picture, and I forbid you to exhibit it as a portrait of myself."

"My dear Lady Hermione," said Paul, "you need not be alarmed. I propose to exhibit the picture as 'When the Heart is Young.' Nobody will recognize a likeness to you in it. And if the Duke does not buy it I have no doubt that some other purchaser will come along."

Lady Hermione looked at him thoughtfully. "Why did you do it?" she asked gently.

"Because I fell in love with you."

She dropped her eyes, and then raised them gaily to his. "Mother is still asleep," she whispered.

"Hermione!" he cried, dropping his palette and putting his brush behind his ear.

She held out her arms to him.

. . . . . . .

As everybody remembers, "When the Heart is Young," by Paul Samways, was the feature of the Exhibition. It was bought for 10,000 pounds by a retired bottle manufacturer, whom it reminded a little of his late mother. Paul woke to find himself famous. But the success which began for him from this day did not spoil his simple and generous nature. He never forgot his brother artists, whose feet were not yet on the top of the ladder. Indeed, one of his first acts after he was married was to give a commission to Peter Samways, A.R.A.--nothing less than the painting of his wife's portrait. And Lady Hermione was delighted with the result.

THE BARRISTER

The New Bailey was crowded with a gay and fashionable throng. It was a remarkable case of shop-lifting. Aurora Delaine, nineteen, was charged with feloniously stealing and conveying certain articles, the property of the Universal Stores, to wit thirty-five yards of bock muslin, ten pairs of gloves, a sponge, two gimlets, five jars of cold cream, a copy of the Clergy List, three hat-guards, a mariner's compass, a box of drawing-pins, an egg-breaker, six blouses, and a cabman's whistle. The theft had been proved by Albert Jobson, a shopwalker, who gave evidence to the effect that he followed her through the different departments and saw her take the things mentioned in the indictment.

"Just a moment," interrupted the Judge. "Who is defending the prisoner?"

There was an unexpected silence. Rupert Carleton, who had dropped idly into court, looked round in sudden excitement. The poor girl had no counsel! What if he--yes, he would seize the chance! He stood up boldly. "I am, my lord," he said.

Rupert Carleton was still in the twenties, but he had been a briefless barrister for some years. Yet, though briefs would not come, he had been very far from idle. He had stood for Parliament in both the Conservative and Liberal interests (not to mention his own), he had written half a dozen unproduced plays, and he was engaged to be married. But success in his own profession had been delayed. Now at last was his opportunity.

He pulled his wig down firmly over his ears, took out a pair of pince-nez and rose to cross-examine. It was the cross-examination which was to make him famous, the cross-examination which is now given as a model in every legal text-book.

"Mr Jobson," he began suavely, "you say that you saw the accused steal these various articles, and that they were afterwards found upon her?"

"Yes."

"I put it to you," said Rupert, and waited intently for the answer, "that that is a pure invention on your part?"

"No."

With a superhuman effort Rupert hid his disappointment. Unexpected as the answer was, he preserved his impassivity.

"I suggest," he tried again, "that you followed her about and concealed this collection of things in her cloak with a view to advertising your winter sale?"

"No. I saw her steal them."

Rupert frowned; the man seemed impervious to the simplest suggestion. With masterly decision he tapped his pince-nez and fell back upon his third line of defence. "You saw her steal them? What you mean is that you saw her take them from the different counters and put them in her bag?"

"Yes."

"With the intention of paying for them in the ordinary way?"

"No."

"Please be very careful. You said in your evidence that the prisoner, when told she would be charged, cried, 'To think that I should have come to this! Will no one save me?' I suggest that she went up to you with her collection of purchases, pulled out her purse, and said, 'What does all this come to? I can't get any one to serve me.'"

"No."

The obstinacy of some people! Rupert put back his pince-nez in his pocket and brought out another pair. The historic cross-examination continued.

"We will let that pass for the moment," he said. He consulted a sheet of paper and then looked sternly at Mr Jobson. "Mr Jobson, how many times have you been married?"

"Once."

"Quite so." He hesitated and then decided to risk it. "I suggest that your wife left you?"

"Yes."

It was a long shot, but once again the bold course had paid. Rupert heaved a sigh of relief.

"Will you tell the gentlemen of the jury," he said with deadly politeness, "WHY she left you?"