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- A Prisoner in Fairyland - 12/79 -ideas, but in reality he preferred his world sober, ordinary, logical. It was merely big-sounding names he liked. And this little incident was somewhere out of joint. It was--odd. Success that poisons many a baser mind May lift--- But the sonnet had never known completion. In the space it had occupied in his mind another one abruptly sprouted. The first subject after all was banal. A better one had come to him-- Strong thoughts that rise in a creative mind May flash about the world, and carry joy--- Then it stuck. He changed 'may' to 'shall,' but a moment later decided that 'do' was better, truer than either. After that inspiration failed him. He retired gracefully upon prose again. 'Odd,' he thought, 'very odd!' And he relieved his mind by writing a letter to a newspaper. He did not send it in the end, for his better judgment prevented, but he had to do something by way of protest, and the only alternative was to tell his wife about it, when she would look half puzzled, half pained, and probably reply with some remark about the general cost of living. So he wrote the letter instead. For Herbert Minks regarded himself as a man with the larger view of citizenship, a critic of public affairs, and, in a measure, therefore, an item of that public opinion which moulded governments. Hence he had a finger, though but a little finger, in the destiny of nations and in the polity--a grand word that!--of national councils. He wrote frequent letters, thus, to the lesser weekly journals; these letters were sometimes printed; occasionally--oh, joy!--they were answered by others like himself, who referred to him as 'your esteemed correspondent.' As yet, however, his following letter had never got into print, nor had he experienced the importance of that editorial decision, appended between square brackets: 'This correspondence must now cease'--so vital, that is, that the editor and the entire office staff might change their opinions unless it _did_ cease. Having drafted his letter, therefore, and carried it about with him for several hours in his breast pocket, he finally decided not to send it after all, for the explanation of his 'odd' experience, he well knew, was hardly one that a newspaper office could supply, or that public correspondence could illuminate. His better judgment always won the day in the end. Thinking _was_ creative, after all.
CHAPTER VII
... The sun, Closing his benediction, Sinks, and the darkening air Thrills with a sense of the triumphing night- Night with her train of stars And her great gift of sleep. W. E. HENLEY. In a southern-facing room on the first floor of La Citadelle the English family sat after tea. The father, a spare, mild-eyed man, his thatch of brown hair well sprinkled with grey above the temples, was lighting his pipe for the tenth time-the tenth match, but the same pipeful of tobacco; and his wife, an ample, motherly woman, slightly younger than himself, was knitting on the other side of the open fireplace, in which still glowed a mass of peat ashes. From time to time she stirred them with a rickety pair of tongs, or with her foot kicked into the grate the matches he invariably threw short upon the floor. But these were adventures ill-suited to her. Knitting was her natural talent. She was always knitting. By the open window stood two children, a boy and a girl of ten and twelve respectively, gazing out into the sunshine. It was the end of April, and though the sun was already hot, there was a sharpness in the air that told of snow still lying on the mountain heights behind the village. Across vineyard slopes and patches of agricultural land, the Lake of Neuchatel lay blue as a southern sea, while beyond it, in a line of white that the sunset soon would turn to pink and gold, stretched the whole range of Alps, from Mont Blanc to where the Eiger and the Weisshorn signalled in the east. They filled the entire horizon, already cloud-like in the haze of coming summer. The door into the corridor opened, and a taller child came in. A mass of dark hair, caught by a big red bow, tumbled untidily down her back. She was sixteen and very earnest, but her eyes, brown like her father's, held a curious puzzled look, as though life still confused her so much that while she did her duties bravely she did not quite understand why it should be so. 'Excuse me, Mother, shall I wash up?' she said at once. She always did wash up. And 'excuse me' usually prefaced her questions. 'Please, Jane Anne,' said Mother. The entire family called her Jane Anne, although her baptismal names were rather fine. Sometimes she answered, too, to Jinny, but when it was a question of household duties it was Jane Anne, or even 'Ria.' She set about her duties promptly, though not with any special deftness. And first she stooped and picked up the last match her father had dropped upon the strip of carpet that covered the linoleum. 'Daddy,' she said reprovingly, 'you do make such a mess.' She brushed tobacco ashes from his coat. Mother, without looking up, went on talking to him about the bills-washing, school-books, boots, blouses, oil, and peat. And as she did so a puzzled expression was visible in his eyes akin to the expression in Jane Anne's. Both enjoyed a similar mental confusion sometimes as to words and meanings and the import of practical life generally. 'We shan't want any more now, thank goodness,' he said vaguely, referring to the peat, though Mother was already far ahead, wading among boots and shirts and blouses. 'But if we get a load in now, you see, it's _cheaper_,' she said with emphasis on every alternate word, slowing up the pace to suit him. 'Mother, where _did_ you put the washing-up rag?' came the voice of Jinny in plaintive accents from the tiny kitchen that lay beyond the adjoining bedroom. 'I can't find it anywhere,' she added, poking her head round the door suddenly. 'Pet lamb,' was Mother's answer, still bending over her knitting-she was prodigal of terms like this and applied them indiscriminately, for Jane Anne resembled the animal in question even less than did her father--'I saw it last on the geranium shelf--you know, where the fuchsias and the-' She hesitated, she was not sure herself. 'I'll get it, my duckie, for you,' she added, and began to rise. She was a voluminous, very stately woman. The operation took time. 'Let me,' said Daddy, drawing his mind with difficulty from the peat, and rising too. They rose together. 'It's all right, I've got it,' cried the child, who had disappeared again. 'It was in the sink. That's Jimbo; he washed up yesterday.' 'Pas vrai!' piped a little voice beside the open window, overhearing his name, 'because I only dried. It was Monkey who washed up.' They talked French and English all mixed up together. But Monkey was too busy looking at the Alps through an old pair of opera-glasses, relic of her father's London days that served for telescope, to think reply worth while. Her baptismal names were also rather wonderful, though neither of her parents could have supplied them without a moment's reflection first. There was commotion by that window for a moment but it soon subsided again, for things that Jinny said never provoked dissension, and Jimbo and Monkey just then were busy with a Magic Horse who had wings of snow, and was making fearful leaps from the peaks of the Dent du Midi across the Blumlisalp to the Jungfrau. 'Will you please carry the samovar for me?' exclaimed Jane Anne, addressing both her parents, as though uncertain which of them would help her. 'You filled it so awfully full to-day, I can't lift it. I advertise for help.' Her father slowly rose. 'I'll do it, child,' he said kindly, but with a patience, almost resignation, in his tone suggesting that it was absurd to expect such a thing of him. 'Then do exactly as you think best,' he let fall to his wife as he went, referring to the chaos of expenses she had been discussing with him. 'That'll be all right.' For his mind had not yet sorted the jumble of peat, oil, boots, school- books, and the rest. 'We can manage THAT at any rate; you see it's francs, not shillings,' he added, as Jane Anne pulled him by the sleeve towards the steaming samovar. He held the strings of an ever empty purse. 'Daddy, but you've _always_ got a crumb in your beard,' she was saying, 'and if it isn't a crumb, it's ashes on your coat or a match on the floor.' She brushed the crumb away. He gave her a kiss. And between them they nearly upset the old nickel-plated samovar that was a present from a Tiflis Armenian to whom the mother once taught English. They looked round anxiously as though afraid of a scolding; but Mother had not noticed. And she was accustomed to the noise and laughter. The scene then finished, as it usually did, by the mother washing up, Jane Anne drying, and Daddy hovering to and fro in the background making remarks in his beard about the geraniums, the China tea, the indigestible new bread, the outrageous cost of the necessaries of life, or the book he was at work on at the moment. He often enough gave his uncertain assistance in the little menial duties connected with the preparation or removal of the tea-things, and had even been known to dry. Only washing-up he never did. Somehow his vocation rendered him immune from that. He might bring the peat in, fill the lamps, arrange and dust the scanty furniture, but washing-up was not a possibility even. As an author it was considered beneath his dignity altogether, almost improper--it would have shocked the children. Mother could do anything; it was right and natural that she should---poor soul I But Daddy's profession set him in an enclosure apart, and there were certain things in this servantless menage he could not have done without disgracing the entire family. Washing-up was one; carrying back the empty basket of tea-things to the Pension was another. Daddy wrote books. As Jane Anne put it forcibly and finally once, 'Shakespeare never washed up or carried a tea-basket in the street!'--which the others accepted as a conclusive statement of authority. And, meantime, the two younger children, who knew how to amuse each other for hours together unaided, had left the Magic Horse in its Previous Page Next Page 1 7 8 9 10 11 12 13 14 15 16 17 20 30 40 50 60 70 79 |
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