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- A Prisoner in Fairyland - 44/79 -


She had come back from the Bank in a fainting condition, the sudden joy too much for her altogether. A remote and inaccessible air pervaded her, for all the red of her inflamed eyes and tears. She was aloof from the world, freed at last from the ceaseless, gnawing anxiety that for years had eaten her life out. The spirits had justified themselves, and faith and worship had their just reward. But this was only the first, immediate effect: it left her greater than it found her, this unexpected, huge relief--brimming with new sympathy for others. She doubled her gifts. She planned a wonderful new garden. That very night she ordered such a quantity of bulbs and seedlings that to this day they never have been planted.

Her interview with Henry Rogers, when she called at the carpenter's house in all her finery, cannot properly be told, for it lay beyond his powers of description. Her sister accompanied her; the Postmaster, too, snatched fifteen minutes from his duties to attend. The ancient tall hat, worn only at funerals as a rule, was replaced by the black Trilby that had been his portion from the Magic Box, as he followed the excited ladies at a reasonable distance. 'You had better show yourself,' his wife suggested; 'Monsieur Rogairs would like to see you with us--to know that you are there.' Which meant that he was not to interfere with the actual thanksgiving, but to countenance the occasion with his solemn presence. And, indeed, he did not go upstairs. He paced the road beneath the windows during the interview, looking exactly like a professional mourner waiting for the arrival of the hearse.

'My dear old friend--friends, I mean,' said Rogers in his fluent and very dreadful French, 'if you only knew what a pleasure it is to _me_--It is _I_ who should thank you for giving me the opportunity, not you who should thank me.' The sentence broke loose utterly, wandering among intricacies of grammar and subjunctive moods that took his breath away as he poured it out. 'I was only afraid you would think it unwarrantable interference. I am delighted that you let me do it. It's such a little thing to do.'

Both ladies instantly wept. The Widow came closer with a little rush. Whether Rogers was actually embraced, or no, it is not stated officially.

'It is a loan, of course, it is a loan,' cried the Widow.

'It is a present,' he said firmly, loathing the scene.

'It's a part repayment for all the kindness you showed me here as a boy years and years ago.' Then, remembering that the sister was not known to him in those far-away days, he added clumsily, 'and since--I came back.... And now let's say no more, but just keep the little secret to ourselves. It is nobody's business but our own.'

'A present!' gasped both ladies to one another, utterly overcome; and finding nothing else to embrace, they flung their arms about each other's necks and praised the Lord and wept more copiously than ever.... 'Grand ciel' was heard so frequently, and so loudly, that Madame Michaud, the carpenter's wife, listening on the stairs, made up her mind it was a quarrel, and wondered if she ought to knock at the door and interfere.

'I see your husband in the road,' said Rogers, tapping at the window. 'I think he seems waiting for you. Or perhaps he has a telegram for me, do you think?' He bowed and waved his hand, smiling as the Postmaster looked up in answer to the tapping and gravely raised his Trilby hat.

'There now, he's calling for you. Do not keep him waiting--I'm sure--' he didn't know what to say or how else to get them out. He opened the door. The farewells took some time, though they would meet an hour later at _dejeuner_ as usual.

'At least you shall pay us no more _pension_,' was the final sentence as they flounced downstairs, so happy and excited that they nearly tumbled over each other, and sharing one handkerchief to dry their tears.

'Then I shall buy my own food and cook it here,' he laughed, and somehow managed to close his door upon the retreating storm. Out of the window he saw the procession go back, the sombre figure of the Postmaster twenty yards behind the other two.

And then, with joy in his heart, though a sigh of relief upon his lips--there may have been traces of a lump somewhere in his throat as well, but if so, he did not acknowledge it--he turned to his letters, and found among them a communication from Herbert Montmorency Minks, announcing that he had found an ideal site, and that it cost so and so much per acre--also that the County Council had made no difficulties. There was a hint, moreover--a general flavour of resentment and neglect at his master's prolonged absence--that it would not be a bad thing for the great Scheme if Mr. Rogers could see his way to return to London 'before very long.'

'Bother the fellow!' thought he; 'what a nuisance he is, to be sure!'

And he answered him at once. 'Do not trouble about a site just yet,' he wrote; 'there is no hurry for the moment.' He made a rapid calculation in his head. He had paid those mortgages out of capital, and the sum represented just about the cost of the site Minks mentioned. But results were immediate. There was no loss, no waste in fees and permits and taxes. Each penny did its work.

'There's the site gone, anyhow,' he laughed to himself. 'The foundation will go next, then the walls. But, at any rate, they needed it. The Commune Charity would have had 'em at the end of the month. They're my neighbours after all. And I must find out from them who else in the village needs a leg up. For these people are worth helping, and I can see exactly where every penny goes.'

Bit by bit, as it would seem, the great Scheme for Disabled Thingumagigs was being undermined.

CHAPTER XXII

And those who were good shall be happy. They shall sit in a golden chair; They shall splash at a ten-league canvas With brushes of comets' hair. They shall have real saints to paint from-- Magdalene, Peter, and Paul; They shall work for an age at a sitting And never get tired at all.

And only the Master shall praise them, And only the Master shall blame; And no one shall work for money, And no one shall work for fame; But each for the joy of the working, And each in his separate star, Shall draw the thing as he sees it For the God of things as they are, R. KIPLING.

And meanwhile, as May ran laughing to meet June, an air of coloured wonder spread itself about the entire village. Rogers had brought it with him from that old Kentish garden somehow. His journey there had opened doors into a region of imagination and belief whence fairyland poured back upon his inner world, transfiguring common things. And this transfiguration he unwittingly put into others too. Through this very ordinary man swept powers that usually are left behind with childhood. The childhood aspect of the world invaded all who came in contact with him, enormous, radiant, sparkling, charged with questions of wonder and enchantment. And every one felt it according to their ability of reconstruction. Yet he himself had not the least idea that he did it all. It was a reformation, very tender, soft, and true.

For wonder, of course, is the basis of all inquiry. Interpretation varies, facts remain the same; and to interpret is to recreate. Wonder leads to worship. It insists upon recreation, prerogative of all young life. The Starlight Express ran regularly every night, Jimbo having constructed a perfect time-table that answered all requirements, and was sufficiently elastic to fit instantly any scale that time and space demanded. Rogers and the children talked of little else, and their adventures in the daytime seemed curiously fed by details of information gleaned elsewhere.

But where? The details welled up in one and all, though whence they came remained a mystery. 'I believe we dream a lot of it,' said Jimbo. 'It's a lot of dreams we have at night, comme fa.' He had made a complete map of railway lines, with stations everywhere, in forests, sky, and mountains. He carried stations in his pocket, and just dropped one out of the carriage window whenever a passenger shouted, 'Let's stop here.' But Monkey, more intellectual, declared it was 'all Cousinenry's invention and make-up,' although she asked more questions than all the others put together. Jinny, her sister, stared and listened with her puzzled, moth-like expression, while Mother watched and marvelled cautiously from a distance. In one and all, however, the famished sense of wonder interpreted life anew. It named the world afresh--the world of common things. It subdued the earth unto itself. What a mind creates it understands. Through the familiar these adventurers trace lines of discovery into the unfamiliar. They understood. They were up to their waists in wonder. There was still disorder, of course, in their great reconstruction, but that was where the exciting fun came in; for disorder involves surprise. Any moment out might pop the unexpected--event or person.

Cousin Henry was easily leader now. While Daddy remained absorbed with his marvellous new story, enthusiastic and invisible, they ran about the world at the heels of this 'busy engineer,' as Jane Ann entitled him. He had long ago told them, with infinite and exaccurate detail, of his journey to the garden and his rediscovery of the sprites, forgotten during his twenty years of business life. And these sprites were as familiar to them now as those of their own childhood. They little knew that at night they met and talked with them. Daddy had put them all into the Wumble Book, achieving mediocre success with the rhymes, but amply atoning with the illustrations. The Woman of the Haystack was evidently a monster pure and simple, till Jinny announced that she merely had 'elephantitis,' and thus explained her satisfactorily. The Lamplighter, with shining feet, taking enormous strides from Neuchatel to a London slum, putting fire into eyes and hearts _en route_, thrilled them by his radiant speed and ubiquitous activity, while his doggerel left them coldly questioning. For the rhymes did _not_ commend themselves to their sense of what was proper in the use of words. His natural history left them unconvinced, though the anatomy of the drawing fascinated them.

He walked upon his toes As softly as a saying does, For so the saying goes.


A Prisoner in Fairyland - 44/79

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