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- A Prisoner in Fairyland - 5/79 -


Whereupon, having done this last commission, and written it down upon a sheet of paper which he placed with care against the clock, beside the unopened letter, the session closed, and Minks, in his mourning hat and lavender gloves, walked up St. James's Street apparently _en route_ for the Ritz, but suddenly, as with careless unconsciousness, turning into an A.B.C. Depot for luncheon, well pleased with himself and with the world, but especially with his considerate employer.

Ten minutes later Mr. Rogers followed him on his way to the club, and just when Minks was reflecting with pride of the well-turned phrases he had dictated to his wife for her letter of thanks, it passed across the mind of its recipient that he had forgotten to read it altogether. And, truth to tell, he never yet has read it; for, returning late that evening from his sentimental journey down to Crayfield, it stood no longer where he had left it beside the clock, and nothing occurred to remind him of its existence. Apart from its joint composers, no one can ever know its contents but the charwoman, who, noticing the feminine writing, took it back to Lambeth and pored over it with a candle for full half an hour, greatly disappointed. 'Things like that,' she grumbled to her husband, whose appearance suggested that he went for bigger game, 'ain't worth the trouble of taking at all, whichever way you looks at it.' And probably she was right.

CHAPTER III

And what if All of animated nature Be but as Instruments diversely framed That tremble into thought, as o'er them sweeps One infinite and intellectual Breeze, At once the Soul of each, and God of all? _The AEolian Harp_, S. T. COLERIDGE.

In the train, even before St. John's was passed, a touch of inevitable reaction had set in, and Rogers asked himself why he was going. For a sentimental journey was hardly in his line, it seemed. But no satisfactory answer was forthcoming--none, at least, that a Board or a Shareholders' Meeting would have considered satisfactory.

There was an answer in him somewhere, but he couldn't quite get down to it. The spring glory had enticed him back to childhood. The journey was symbolical of escape. That was the truth. But the part of him that knew it had lain so long in abeyance that only a whisper flitted across his mind as he sat looking out of the carriage window at the fields round Lee and Eltham. The landscape seemed hauntingly familiar, but what surprised him was the number of known faces that rose and smiled at him. A kind of dream confusion blurred his outer sight;

At Bexley, as he hurried past, he caught dimly a glimpse of an old nurse whom he remembered trying to break into bits with a hop-pole he could barely lift; and, most singular thing, on the Sidcup platform, a group of noisy schoolboys, with smudged faces and ridiculously small caps stuck on the back of their heads, had scrambled viciously to get into his compartment. They carried brown canvas satchels full of crumpled books and papers, and though the names had mostly escaped him, he remembered every single face. There was Barlow--big, bony chap who stammered, bringing his words out with a kind of whistling sneeze. Barlow had given him his first thrashing for copying his stammer. There was young Watson, who funked at football and sneaked to a master about a midnight supper. He stole pocket-money, too, and was expelled. Then he caught a glimpse of another fellow with sly face and laughing eyes; the name had vanished, but he was the boy who put jalap in the music-master's coffee, and received a penny from five or six others who thus escaped a lesson. All waved their hands to him as the train hurried away, and the last thing he saw was the station lamp where he had lit the cigar that made three of them, himself included, deadly sick. Familiar woods and a little blue-eyed stream then hid the vision ... and a moment later he was standing on the platform of his childhood's station, giving up his first-class ticket (secretly ashamed that it was not third) to a station-master-ticket-collector person who simply was not real at all.

For he had no beard. He was small, too, and insignificant. The way he had dwindled, with the enormous station that used to be a mile or so in length, was severely disappointing. That STATION-MASTER with the beard ought to have lived for ever. His niche in the Temple of Fame was sure. One evening he had called in full uniform at the house and asked to see Master Henry Rogers, the boy who had got out 'WHILE-THE- TRAIN-WAS-STILL-IN-MOTION,' and had lectured him gravely with a face like death. Never again had he left a train 'whilestillinmotion,' though it was years before he discovered how his father had engineered that awful, salutary visit.

He asked casually, in a voice that hardly seemed his own, about the service back to town, and received the answer with a kind of wonder. It was so respectful. The porters had not found him out yet; but the moment they did so, he would have to run. He did not run, however. He walked slowly down the Station Road, swinging the silver-knobbed cane the office clerks had given him when he left the City. Leisurely, without a touch of fear, he passed the Water Works, where the huge iron crank of the shaft rose and fell with ominous thunder against the sky. It had once been part of that awful hidden Engine which moved the world. To go near it was instant death, and he always crossed the road to avoid it; but this afternoon he went down the cinder pathway so close that he could touch it with his stick. It was incredible that so terrible a thing could dwindle in a few years to the dimensions of a motor piston. The crank that moved up and down like a bending, gigantic knee looked almost flimsy now. ...

Then the village street came into view and he suddenly smelt the fields and gardens that topped the hill beyond. The world turned gold and amber, shining beneath a turquoise sky. There was a rush of flaming sunsets, one upon another, followed by great green moons, and hosts of stars that came twinkling across barred windows to his very bedside ... that grand old Net of Stars he made so cunningly. Cornhill and Lombard Street flashed back upon him for a second, then dived away and hid their faces for ever, as he passed the low grey wall beside the church where first he had seen the lame boy hobbling, and had realised that the whole world suffered.

A moment he stood here, thinking. He heard the wind sighing in the yew trees beside the dark brown porch. Rooks were cawing among the elms across the churchyard, and pigeons wheeled and fluttered about the grey square tower. The wind, the tower, the weather-stained old porch --these had not changed. This sunshine and this turquoise sky were still the same.

The village stopped at the churchyard--significant boundary. No single building ventured farther; the houses ran the other way instead, pouring down the steep hill in a cataract of bricks and roofs towards the station. The hill, once topped, and the churchyard left behind, he entered the world of fields and little copses. It was just like going through a gateway. It was a Gateway. The road sloped gently down for half-a-mile towards the pair of big iron gates that barred the drive up to the square grey house upon whose lawns he once had chased butterflies, but from whose upper windows he once had netted--stars.

The spell came over him very strongly then as he went slowly down that road. The altered scale of distance confused him; the road had telescoped absurdly; the hayfields were so small. At the turn lay the pond with yellow duckweed and a bent iron railing that divided it to keep the cows from crossing. Formerly, of course, that railing had been put to prevent children drowning in its bottomless depths; all ponds had been bottomless then, and the weeds had spread to entice the children to a watery death. But now he could have jumped across it, weed and railing too, without a run, and he looked in vain for the shores that once had been so seductively far away. They were mere dirty, muddy edges.

This general shrinkage in space was very curious. But a similar contraction, he realised, had taken place in time as well, for, looking back upon his forty years, they seemed such a little thing compared to the enormous stretch they offered when he had stood beside this very pond and looked ahead. He wondered vaguely which was the reality and which the dream. But his effort was not particularly successful, and he came to no conclusion. Those years of strenuous business life were like a few weeks, yet their golden results were in his pockets. Those years of childhood had condensed into a jumble of sunny hours, yet their golden harvest was equally in his heart. Time and space were mere bits of elastic that could stretch or shrink as thought directed, feeling chose. And now both thought and feeling chose emphatically. He stepped back swiftly. His mind seemed filled with stars and butterflies and childhood's figures of wonder. Childhood took him prisoner.

It was curious at first, though, how the acquired nature made a struggle to assert itself, and the practical side of him, developed in the busy markets of the world, protested. It was automatic rather, and at best not very persistent; it soon died away. But, seeing the gravel everywhere, he wondered if there might not be valuable clay about, what labour cost, and what the nearest stations were for haulage; and, seeing the hop-poles, he caught himself speculating what wood they were made of, and what varnish would best prevent their buried points from going rotten in this particular soil. There was a surge of practical considerations, but quickly fading. The last one was stirred by the dust of a leisurely butcher's cart. He had visions of a paste for motor-roads, or something to lay dust ... but, before the dust had settled again through the sunshine about his feet, or the rumble of the cart died away into distance, the thought vanished like a nightmare in the dawn. It ran away over the switchback of the years, uphill to Midsummer, downhill to Christmas, jumping a ditch at Easter, and a hedge at that terrible thing known as ''Clipse of the Moon.' The leaves of the elm trees whispered overhead. He was moving through an avenue that led towards big iron gates beside a little porter's lodge. He saw the hollies, and smelt the laurustinus. There lay the triangle of uncut grass at the cross-roads, the long, grey, wooden palings built upon moss-grown bricks; and against the sky he just caught a glimpse of the feathery, velvet cedar crests, crests that once held nails of golden meteors for his Net of Stars.

Determined to enjoy his cake and eat it at the same time as long as possible, he walked down the road a little distance, eyeing the lawns and windows of the house through narrow gaps between the boarding of the fence. He prolonged the pleasures of anticipation thus, and, besides, he wished to see if the place was occupied or empty. It looked unkempt rather, the gardens somewhat neglected, and yet there hung an air of occupancy about it all. He had heard the house had changed hands several times. But it was difficult to see clearly; the sunshine dazzled; the lilac and laburnum scattered sheets of colour through which the shadows wove themselves an obscuring veil, He kept seeing butterflies and chasing them with his sight.

'Can you tell me if this house is occupied?' he asked abruptly of an old gentleman who coughed suddenly behind him.

It was an explanation as well as a question, for the passer-by had


A Prisoner in Fairyland - 5/79

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