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- A Prisoner in Fairyland - 64/79 -


Story his cousin had wumbled into his ear when he only partly listened?

'I believe I dreamed it,' he smiled to himself at last in despair. 'I do believe it was a dream--a fragment of some jolly dream I had in my Fairyland of little Bourcelles!'

Children, stars, Fairyland, dreams--these brought it somehow. His cousin's story also had to do with it, chiefly perhaps after all--this great story.

'I shall have to go back there to get hold of it completely,' he added with conviction. He almost felt as if some one were thinking hard about him--one of the characters in the story, it seemed. The mind of some one far away, as yet unknown, was searching for him in thought, sending forth strong definite yearnings which came to rest of their own accord in his own being, a garden naturally suited to their growth. The creations of his boyhood's imagination had survived, the Sweep, the Dustman, and the Lamplighter, then why not the far more powerful creations in the story...? Thought was never lost!

'But no man in his senses can believe such a thing!' he exclaimed, as the train ran booming through the tunnel.

'That's the point,' whispered a voice beside him. 'You are _out_ of your senses. Otherwise you could not feel it!'

He turned sharply. The carriage was empty; there was no one there. It was, of course, another part of himself that supplied the answer; yet it startled him. The blurred reflection of the lamp, he noticed, cast a picture against the black tunnel wall that was like a constellation. The Pleiades again! It almost seemed as if the voice had issued from that false reflection in the shaking window-pane....

The train emerged from the tunnel. He rushed out into the blaze of the Interfering Sun. The lovely cluster vanished like a dream, and with it the hint of explanation melted down in dew. Fields sped past with a group of haystacks whose tarpaulin skirts spread and lifted in the gust of wind the train made. He thought abruptly of Mother.... Perhaps, after all, he had taught her something, shown her Existence as a big, streaming, endless thing in which months and years, possibly even life itself, were merely little sections, each unintelligible unless viewed as portions of the Whole, and not as separate, difficult, puzzling items set apart. Possibly he had drawn her map to bigger scale, increased her faith, given her more sense of repose and peace, more courage therefore. She thought formerly of a day, but not of its relation to all days before and behind. She stuck her husband's 'reviews' in the big book, afflicted by the poor financial results they represented, but was unable to think of his work as a stage in a long series of development and progress, no effort lost, no single hope mislaid. And that was something--_if_ he had accomplished it. Only, he feared he had not. There was the trouble. There lay the secret of a certain ineffectiveness in his character. For he did not realise that fear is simply suppressed desire, vivid signs of life, and that desire is the ultimate causative agent everywhere and always. 'Behind Will stands Desire,' and Desire is Action.

And if he _had_ accomplished this, how was it done? Not by preaching, certainly. Was it, then, simply by being, thinking, feeling it? A glorious thought, if true! For assuredly he had this faculty of seeing life whole, and even in boyhood he had looked ahead over its entire map. He had, indeed, this way of relating all its people, and all its parts together, instead of seeing them separate, unintelligible because the context was left out. He lived intensely in the present, yet looked backwards and forwards too at the same time. This large sympathy, this big comforting vision was his gift. Consequently he believed in Life. Had he also, then, the gift of making others feel and believe it too...?

There he was again, thinking in a circle, as Laroche flew past with its empty platforms, and warned him that Paris was getting close. He bumped out of Fairyland, yet tumbled back once more for a final reverie before the long ugly arms of the city snatched him finally out. 'To see life whole,' he reflected, 'is to see it glorious. To think one's self part of humanity at large is to bring the universe down into the heart. But to see life whole, a whole heart is necessary.... He's done it in that splendid story, and he bagged the raw idea somehow from me. That's something at any rate. ... So few think Beaaty.... But will others see it? That's the point!'

'No, it isn't,' answered the voice beside him. 'The point is that he has thought it, and the universe is richer. Even if others do not read or understand, what he has thought _is there now_, for ever and ever.'

'True,' he reflected, 'for that Beauty may float down and settle in other minds when they least are looking for it, and ignoring utterly whence comes the fairy touch. Divine! Delicious! Heavenly!'

'The Beauty he has written came through you, yet was not yours,' the voice continued very faintly. 'A far more beautiful mind first projected it into that network which binds all minds together. 'Twas thence you caught it flying, and, knowing not how to give it shape, transferred it to another--who could use it--for others.... Thought is Life, and Sympathy is living....'

The voice died away; he could not hear the remainder clearly; the passing scenery caught his attention again; during his reverie it had been unnoticed utterly. 'Thought is Life, but Sympathy is living---' it rolled and poured through him as he repeated it. Snatches of another sentence then came rising into him from an immense distance, falling upon him from immeasurable heights--barely audible:-

'... from a mind that so loved the Pleiades she made their loveliness and joy her own... Alcyone, Merope, Maia...' It dipped away into silence like a flower closing for the night, and the train, he realised, was slackening speed as it drew into the hideous Gare de Lyon.

'I'll talk to Minks about it, perhaps,' he thought, as he stood telling the Customs official that he had no brandy, cigarettes, or lace. 'He knows about things like that. At any rate, he'll sympathise.'

He went across Paris to the Gare du Nord, and caught the afternoon boat train to London. The sunshine glared up from the baking streets, but he never forgot that overhead, though invisible, the stars were shining all the time--Starlight, the most tender and least suspected light in all the world, shining bravely even when obscured by the Interfering Sun, and the Pleiades, softest, sweetest little group among them all.

And when at eleven o'clock he entered his St. James's flat, he took a store of it shining in his heart, and therefore in his eyes. Only that was no difficult matter, for all the lamps far up the heights were lit and gleaming, and caught old mighty London in their gorgeous net.

CHAPTER XXIX

Think with passion That shall fashion Life's entire design, well planned. _Woman of the Haystack_.

'You are looking so wonderfully well, Mr. Rogers,' Minks observed at Charing Cross Station, 'the passage across the Channel, I trust, was calm.'

'And yourself and Mrs. Minks?' asked Rogers, looking into the equally sunburned face of his secretary, remembering suddenly that he had been to the sea with his family; 'Frank, too, and the other children? All well, I hope?'

'All in excellent health, Mr. Rogers, thanks to your generous thought. My wife---'

'These are the small bags,' the other interrupted, 'and here are the keys for my portmanteaux. There's nothing dutiable. You might bring them on to the flat while I run over to the Club for a bit of supper, Minks.'

'Certainly, with pleasure, Mr. Rogers,' was the beaming reply. 'And Mrs. Minks begged me to tell you---'

Only Rogers was already in his taxi-cab and out of ear-shot.

'How well he looks!' reflected Minks, dangling the keys, accustomed to these abrupt interruptions, and knowing that his message had been understood and therefore duly delivered. These cut-off sentences were like a secret code between them. 'And ten years younger! Almost like a boy again. I wonder if---' He did not permit himself to finish the thought. He tried to remember if he himself had looked like that perhaps in the days of long ago when he courted Albinia Lucy--an air of joy and secrecy and an absent-minded manner that might any moment flame into vehement, concentrated action. For this was the impression his employer had made upon him. Only he could not quite remember those far-off, happy days. There was ecstasy in them; that he knew. And there was ecstasy in Henry Rogers now; that he divined.

'He oughtn't to,' he reflected, as he hurried in another taxi with the luggage. 'All his yearnings would be satisfied if he did, his life flow into a single channel instead of into many.'

He did not think about his own position and his salary.

'He won't,' he decided as the cab stopped at the door; 'he's not that kind of man.' Minks had insight; he knew men. 'No artist ever ought to. We are so few, and the world has need of us.' His own case was an exception that had justified itself, for he was but a man of talent, and talent did not need an exclusive asceticism; whereas his employer was a man of genius, and no one woman had the right to monopolise what was intended to sweeten the entire universe.

By the time the luggage had been taken up, he had missed the last tram home, and his sleep that night must in any case be short. Yet he took no note of that. One must live largely. A small sacrifice for such a master was nothing at all. He lingered, glancing now and again at the heap of correspondence that would occupy them next morning, and sorting once more the little pile that would need immediate personal attention. He was picking a bit of disfiguring fluff from his coat sleeve when the door opened and Henry Rogers came upon him.

'Ah! I waited a moment, Mr. Rogers. I thought you might have something to say before I went, perhaps.'

'I hoped you would, Minks. I have a great deal to say. It can wait till to-morrow, really--only I wanted--but, there now, I forgot; you


A Prisoner in Fairyland - 64/79

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