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- Letters to Dead Authors - 3/18 -


ABI, NEFASTE, QUAM CALCAS HUMUM SACRA EST,

has not scared away malicious men. The storm that passed over France a hundred years ago, more terrible than the religious wars that thou didst weep for, has swept the column from the tomb. The marble was broken by violent hands, and the shattered sepulchre of the Prince of Poets gained a dusty hospitality from the museum of a country town. Better had been the laurel of thy desire, the creeping vine, and the ivy tree.

Scarce more fortunate, for long, than thy monument was thy memory. Thou hast not encountered, Master, in the Paradise of Poets, Messieurs Malherbe, De Balzac, and Boileau--Boileau who spoke of thee as _Ce poe'te orgueilleux tre'buche' de si haut!_

These gallant gentlemen, I make no doubt, are happy after their own fashion, backbiting each other and thee in the Paradise of Critics. In their time they wrought thee much evil, grumbling that thou wrotest in Greek and Latin (of which tongues certain of them had but little skill), and blaming thy many lyric melodies and the free flow of thy lines. What said M. de Balzac to M. Chapelain? 'M. de Malherbe, M. de Grasse, and yourself must be very little poets, if Ronsard be a great one.' Time has brought in his revenges, and Messieurs Chapelain and De Grasse are as well forgotten as thou art well remembered. Men could not always be deaf to thy sweet old songs, nor blind to the beauty of thy roses and thy loves. When they took the wax out of their ears that M. Boileau had given them lest they should hear the singing of thy Sirens, then they were deaf no longer, then they heard the old deaf poet singing and made answer to his lays. Hast thou not heard these sounds? have they not reached thee, the voices and the lyres of The'ophile Gautier and Alfred de Musset? Methinks thou hast marked them, and been glad that the old notes were ringing again and the old French lyric measures tripping to thine ancient harmonies, echoing and replying to the Muses of Horace and Catullus. Returning to Nature, poets returned to thee. Thy monument has perished, but not thy music, and the Prince of Poets has returned to his own again in a glorious Restoration.

Through the dust and smoke of ages, and through the centuries of wars we strain our eyes and try to gain a glimpse of thee, Master, in thy good days, when the Muses walked with thee. We seem to mark thee wandering silent through some little village, or dreaming in the woods, or loitering among thy lonely places, or in gardens where the roses blossom among wilder flowers, or on river banks where the whispering poplars and sighing reeds make answer to the murmur of the waters. Such a picture hast thou drawn of thyself in the summer afternoons.

Je m'en vais pourmener tantost parmy la plaine, Tantost en un village, et tantost en un bois, Et tantost par les lieux solitaires et cois. J'aime fort les jardins qui sentent le sauvage, J'aime le flot de l'eau qui gazou'ille au rivage.

Still, methinks, there was a book in the hand of the grave and learned poet; still thou wouldst carry thy Horace, thy Catullus, thy Theocritus, through the gem-like weather of the _Renouveau_, when the woods were enamelled with flowers, and the young Spring was lodged, like a wandering prince, in his great palaces hung with green:

Orgueilleux de ses fleurs, enfle' de sa jeunesse, Loge' comme un grand Prince en ses vertes maisons!

Thou sawest, in these woods by Loire side, the fair shapes of old religion, Fauns, Nymphs, and Satyrs, and heard'st in the nightingale's music the plaint of Philomel. The ancient poets came back in the train of thyself and of the Spring, and learning was scarce less dear to thee than love; and thy ladies seemed fairer for the names they borrowed from the beauties of forgotten days, Helen and Cassandra. How sweetly didst thou sing to them thine old morality, and how gravely didst thou teach the lesson of the Roses! Well didst thou know it, well didst thou love the Rose, since thy nurse, carrying thee, an infant, to the holy font, let fall on thee the sacred water brimmed with floating blossoms of the Rose!

Mignonne, allons voir si la Rose, Qui ce matin avoit desclose Sa robe de pourpre au soleil, A point perdu ceste vespree Les plis de sa robe pourpree, Et son teint au votre pareil.

And again,

La belle Rose du Printemps, Aubert, admoneste les hommes Passer joyeusement le temps, Et pendant que jeunes nous sommes, Esbattre la fleur de nos ans.

In the same mood, looking far down the future, thou sangest of thy lady's age, the most sad, the most beautiful of thy sad and beautiful lays; for if thy bees gathered much honey 't was somewhat bitter to taste, as that of the Sardinian yews. How clearly we see the great hall, the grey lady spinning and humming among her drowsy maids, and how they waken at the word, and she sees her spring in their eyes, and they forecast their winter in her face, when she murmurs ''Twas Ronsard sang of me.'

Winter, and summer, and spring, how swiftly they pass, and how early time brought thee his sorrows, and grief cast her dust upon thy head.

Adieu ma Lyre, adieu fillettes, Jadis mes douces amourettes, Adieu, je sens venir ma fin, Nul passetemps de ma jeunesse Ne m'accompagne en la vieillesse, Que le feu, le lict et le vin.

Wine, and a soft bed, and a bright fire: to this trinity of poor pleasures we come soon, if, indeed, wine be left to us. Poetry herself deserts us; is it not said that Bacchus never forgives a renegade? and most of us turn recreants to Bacchus. Even the bright fire, I fear, was not always there to warm thine old blood, Master, or, if fire there were, the wood was not bought with thy book-seller's money. When autumn was drawing in during thine early old age, in 1584, didst thou not write that thou hadst never received a sou at the hands of all the publishers who vended thy books? And as thou wert about putting forth the folio edition of 1584, thou didst pray Buon, the bookseller, to give thee sixty crowns to buy wood withal, and make thee a bright fire in winter weather, and comfort thine old age with thy friend Gallandius. And if Buon will not pay, then to try the other book-sellers, 'that wish to take everything and give nothing.'

Was it knowledge of this passage, Master, or ignorance of everything else, that made certain of the common steadfast dunces of our days speak of thee as if thou hadst been a starveling, neglected poetaster, jealous forsooth, of Maitre Francoys Rabelais? See how ignorantly M. Fleury writes, who teaches French literature withal to them of Muscovy, and hath indited a Life of Rabelais. 'Rabelais e'tait reve'tu d'un emploi honorable; Ronsard e'tait traite' en subalterne,' quoth this wondrous professor. What! Pierre de Ronsard, a gentleman of a noble house, holding the revenue of many abbeys, the friend of Mary Stuart, of the Duc d'Orle'ans, of Charles IX., _he_ is _traite' en subalterne_, and is jealous of a frocked or unfrocked _manant_ like Maitre Francoys! And then this amazing Fleury falls foul of thine epitaph on Mai'tre Francoys and cries, 'Ronsard a voulu faire des vers me'chants; il n'a fait que de me'chants vers.' More truly saith M. Sainte-Beuve, 'If the good Rabelais had returned to Meudon on the day when this epitaph was made over the wine, he would, methinks, have laughed heartily.' But what shall be said of a Professor like the egregious M. Fleury, who holds that Ronsard was despised at Court? Was there a party at tennis when the king would not fain have had thee on his side, declaring that he ever won when Ronsard was his partner? Did he not give thee benefices, and many priories, and call thee his father in Apollo, and even, so they say, bid thee sit down beside him on his throne? Away, ye scandalous folk, who tell us that there was strife between the Prince of Poets and the King of Mirth. Naught have ye by way of proof of your slander but the talk of Jean Bernier, a scurrilous, starveling apothecary, who put forth his fables in 1697, a century and a half after Mai'tre Francoys died. Bayle quoted this fellow in a note, and ye all steal the tattle one from another in your dull manner, and know not whence it comes, nor even that Bayle would none of it and mocked its author. With so little knowledge is history written, and thus doth each chattering brook of a 'Life' swell with its tribute 'that great Mississippi of falsehood,' Biography.

IV.

To Herodotus.

To Herodotus of Halicarnassus, greeting. --Concerning the matters set forth in your histories, and the tales you tell about both Greeks and barbarians, whether they be true, or whether they be false, men dispute not little but a great deal. Wherefore I, being concerned to know the verity, did set forth to make search in every manner, and came in my quest even unto the ends of the earth. For there is an island of the Cimmerians beyond the Straits of Heracles, some three days' voyage to a ship that hath a fair following wind in her sails; and there it is said that men know many things from of old: thither, then, I came in my inquiry. Now, the island is not small, but large, greater than the whole of Hellas; and they call it Britain. In that island the east wind blows for ten parts of the year, and the people know not how to cover themselves from the cold. But for the other two months of the year the sun shines fiercely, so that some of them die thereof, and others die of the frozen mixed drinks; for they have ice even in the summer, and this ice they put to their liquor. Through the whole of this island, from the west even to the east, there flows a river called Thames: a great river and a laborious, but not to be likened to the River of Egypt.

The mouth of this river, where I stepped out from my ship, is exceedingly foul and of an evil savour by reason of the city on the banks. Now this city is several hundred parasangs in circumference. Yet a man that needed not to breathe the air might go round it in one hour, in chariots that run under the earth; and these chariots are drawn by creatures that breathe smoke and sulphur, such as Orpheus mentions in his 'Argonautica,' if it be by Orpheus. The people of the town, when I inquired of them concerning Herodotus of Halicarnassus, looked on me with amazement, and went straightway about their business,--namely, to seek out whatsoever new thing is coming to pass all over the whole inhabited world, and as for things old, they take no keep of them.

Nevertheless, by diligence I learned that he who in this land knew most concerning Herodotus was a priest, and dwelt in the priests' city on the river which is called the City of the Ford of the Ox. But whether Io, when she wore a cow's shape, had passed by that way in her wanderings, and thence comes the name of that city, I could not (though I asked all men I met) learn aught with certainty. But to me, considering this, it seemed that Io must have come thither. And now farewell to Io.

To the City of the Priests there are two roads: one by land; and one by water, following the river. To a well-girdled man, the land journey is but one day's travel; by the river it is longer but more pleasant. Now that river flows, as I said, from the west to the east. And there is in it a fish called chub, which they catch; but they do not eat it, for a certain sacred reason. Also there is a fish called trout, and this is the manner of his catching. They


Letters to Dead Authors - 3/18

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