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- The Old Wives' Tale - 100/132 -
cigarette, and then the cabman pulled out a cigar, and showed his large, white teeth, as he bit the end off it. The appearance and manner of his fare, the quality of the kit-bag, and the opening gestures of the interview between the two young dukes, had put the cabman in an optimistic mood. He had no apprehensions of miserly and ungentlemanly conduct by his fare upon the arrival at Euston. He knew the language of the tilt of a straw hat. And it was a magnificent day in London. The group of the two elegances dominated by the perfection of the cabman made a striking tableau of triumphant masculinity, content with itself, and needing nothing.
Matthew lightly took Cyril's arm and drew him further down the street, past the gate leading to the studio (hidden behind a house) which Cyril rented.
"Look here, my boy," he began, "I've found your aunt."
"Well, that's very nice of you," said Cyril, solemnly. "That's a friendly act. May I ask what aunt?"
"Mrs. Scales," said Matthew. "You know--"
"Not the--" Cyril's face changed.
"Yes, precisely!" said Matthew, feeling that he was not being cheated of the legitimate joy caused by making a sensation. Assuredly he had made a sensation in Victoria Grove.
When he had related the whole story, Cyril said: "Then she doesn't know you know?"
"I don't think so. No, I'm sure she doesn't. She may guess."
"But how can you be certain you haven't made a mistake? It may be that--"
"Look here, my boy," Matthew interrupted him. "I've not made any mistake."
"But you've no proof."
"Proof be damned!" said Matthew, nettled. "I tell you it's HER!"
"Oh! All right! All right! What puzzles me most is what the devil you were doing in a place like that. According to your description of it, it must be a--"
"I went there because I was broke," said Matthew.
"Pretty stiff, that!" commented Cyril, when Matthew had narrated the prologue to Frensham's.
"Well, she absolutely swore she never took less than two hundred francs. And she looked it, too! And she was worth it! I had the time of my life with that woman. I can tell you one thing--no more English for me! They simply aren't in it."
"How old was she?"
Matthew reflected judicially. "I should say she was thirty." The gaze of admiration and envy was upon him. He had the legitimate joy of making a second sensation. "I'll let you know more about that when I come back," he added. "I can open your eyes, my child."
Cyril smiled sheepishly. "Why can't you stay now?" he asked. "I'm going to take the cast of that Verrall girl's arm this afternoon, and I know I can't do it alone. And Robson's no good. You're just the man I want."
"Can't!" said Matthew.
"Well, come into the studio a minute, anyhow."
"Haven't time; I shall miss my train."
"I don't care if you miss forty trains. You must come in. You've got to see that fountain," Cyril insisted crossly.
Matthew yielded. When they emerged into the street again, after six minutes of Cyril's savage interest in his own work, Matthew remembered Mrs. Scales.
"Of course you'll write to your mother?" he said.
"Yes," said Cyril, "I'll write; but if you happen to see her, you might tell her."
"I will," said Matthew. "Shall you go over to Paris?"
"What! To see Auntie?" He smiled. "I don't know. Depends. If the mater will fork out all my exes ... it's an idea," he said lightly, and then without any change of tone, "Naturally, if you're going to idle about here all morning you aren't likely to catch the twelve-five."
Matthew got into the cab, while the driver, the stump of a cigar between his exposed teeth, leaned forward and lifted the reins away from the tilted straw hat.
"By-the-by, lend me some silver," Matthew demanded. "It's a good thing I've got my return ticket. I've run it as fine as ever I did in my life."
Cyril produced eight shillings in silver. Secure in the possession of these riches, Matthew called to the driver--
"Yes, sir," said the driver, calmly.
"Not coming my way I suppose?" Matthew shouted as an afterthought, just when the cab began to move.
"No. Barber's," Cyril shouted in answer, and waved his hand.
The horse rattled into Fulham Road.
Three days later Matthew Peel-Swynnerton was walking along Bursley Market Place when, just opposite the Town Hall, he met a short, fat, middle-aged lady dressed in black, with a black embroidered mantle, and a small bonnet tied with black ribbon and ornamented with jet fruit and crape leaves. As she stepped slowly and carefully forward she had the dignified, important look of a provincial woman who has always been accustomed to deference in her native town, and whose income is ample enough to extort obsequiousness from the vulgar of all ranks. But immediately she caught sight of Matthew, her face changed. She became simple and naive. She blushed slightly, smiling with a timid pleasure. For her, Matthew belonged to a superior race. He bore the almost sacred name of Peel. His family had been distinguished in the district for generations. 'Peel!' You could without impropriety utter it in the same breath with 'Wedgwood.' And 'Swynnerton' stood not much lower. Neither her self-respect, which was great, nor her commonsense, which far exceeded the average, could enable her to extend as far as the Peels the theory that one man is as good as another. The Peels never shopped in St. Luke's Square. Even in its golden days the Square could not have expected such a condescension. The Peels shopped in London or in Stafford; at a pinch, in Oldcastle. That was the distinction for the ageing stout lady in black. Why, she had not in six years recovered from her surprise that her son and Matthew Peel-Swynnerton treated each other rudely as equals! She and Matthew did not often meet, but they liked each other. Her involuntary meekness flattered him. And his rather elaborate homage flattered her. He admired her fundamental goodness, and her occasional raps at Cyril seemed to put him into ecstasies of joy.
"Well, Mrs. Povey," he greeted her, standing over her with his hat raised. (It was a fashion he had picked up in Paris.) "Here I am, you see."
"You're quite a stranger, Mr. Matthew. I needn't ask you how you are. Have you been seeing anything of my boy lately?"
"Not since Wednesday," said Matthew. "Of course he's written to you?"
"There's no 'of course' about it," she laughed faintly. "I had a short letter from him on Wednesday morning. He said you were in Paris."
"But since that--hasn't he written?"
"If I hear from him on Sunday I shall be lucky, bless ye!" said Constance, grimly. "It's not letter-writing that will kill Cyril."
"But do you mean to say he hasn't--" Matthew stopped.
"Whatever's amiss?" asked Constance. Matthew was at a loss to know what to do or say. "Oh, nothing."
"Now, Mr. Matthew, do please--" Constance's tone had suddenly quite changed. It had become firm, commanding, and gravely suspicious. The conversation had ceased to be small-talk for her.
Matthew saw how nervous and how fragile she was. He had never noticed before that she was so sensitive to trifles, though it was notorious that nobody could safely discuss Cyril with her in terms of chaff. He was really astounded at that youth's carelessness, shameful carelessness. That Cyril's attitude to his mother was marked by a certain benevolent negligence--this Matthew knew; but not to have written to her with the important news concerning Mrs. Scales was utterly inexcusable; and Matthew determined that he would tell Cyril so. He felt very sorry for Mrs. Povey. She seemed pathetic to him, standing there in ignorance of a tremendous fact which she ought to have been aware of. He was very content that he had said nothing about Mrs. Scales to anybody except his own mother, who had prudently enjoined silence upon him, saying that his one duty, having told Cyril, was to keep his mouth shut until the Poveys talked. Had it not been for his mother's advice he would assuredly have spread the amazing tale, and Mrs. Povey might have first heard of it from a stranger's gossip, which would have
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