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- Tales of the Argonauts - 10/34 -
He opened his coat, and threw two letters in her lap.
"To return your lover's letters; to kill you--and then myself," he said in a voice so low as to be almost inaudible.
Among the many virtues of this admirable woman was invincible courage. She did not faint; she did not cry out; she sat quietly down again, folded her hands in her lap, and said calmly,--
"And why should you not?"
Had she recoiled, had she shown any fear or contrition, had she essayed an explanation or apology, Mr. Oakhurst would have looked upon it as an evidence of guilt. But there is no quality that courage recognizes so quickly as courage. There is no condition that desperation bows before but desperation. And Mr. Oakhurst's power of analysis was not so keen as to prevent him from confounding her courage with a moral quality. Even in his fury, he could not help admiring this dauntless invalid.
"Why should you not?" she repeated with a smile. "You gave me life, health, and happiness, Jack. You gave me your love. Why should you not take what you have given? Go on. I am ready."
She held out her hands with that same infinite grace of yielding with which she had taken his own on the first day of their meeting at the hotel. Jack raised his head, looked at her for one wild moment, dropped upon his knees beside her, and raised the folds of her dress to his feverish lips. But she was too clever not to instantly see her victory: she was too much of a woman, with all her cleverness, to refrain from pressing that victory home. At the same moment, as with the impulse of an outraged and wounded woman, she rose, and, with an imperious gesture, pointed to the window. Mr. Oakhurst rose in his turn, cast one glance upon her, and without another word passed out of her presence forever.
When he had gone, she closed the window and bolted it, and, going to the chimney-piece, placed the letters, one by one, in the flame of the candle until they were consumed. I would not have the reader think, that, during this painful operation, she was unmoved. Her hand trembled, and--not being a brute--for some minutes (perhaps longer) she felt very badly, and the corners of her sensitive mouth were depressed. When her husband arrived, it was with a genuine joy that she ran to him, and nestled against his broad breast with a feeling of security that thrilled the honest fellow to the core.
"But I've heard dreadful news to-night, Elsie," said Mr. Decker, after a few endearments were exchanged.
"Don't tell me any thing dreadful, dear: I'm not well to-night," she pleaded sweetly.
"But it's about Mr. Oakhurst and Hamilton."
"Please!" Mr. Decker could not resist the petitionary grace of those white hands and that sensitive mouth, and took her to his arms. Suddenly he said, "What's that?"
He was pointing to the bosom of her white dress. Where Mr. Oakhurst had touched her, there was a spot of blood.
It was nothing: she had slightly cut her hand in closing the window; it shut so hard! If Mr. Decker had remembered to close and bolt the shutter before he went out, he might have saved her this. There was such a genuine irritability and force in this remark, that Mr. Decker was quite overcome by remorse. But Mrs. Decker forgave him with that graciousness which I have before pointed out in these pages. And with the halo of that forgiveness and marital confidence still lingering above the pair, with the reader's permission we will leave them, and return to Mr. Oakhurst.
But not for two weeks. At the end of that time, he walked into his rooms in Sacramento, and in his old manner took his seat at the faro-table.
"How's your arm, Jack?" asked an incautious player.
There was a smile followed the question, which, however, ceased as Jack looked up quietly at the speaker.
"It bothers my dealing a little; but I can shoot as well with my left."
The game was continued in that decorous silence which usually distinguished the table at which Mr. John Oakhurst presided.
WAN LEE, THE PAGAN
As I opened Hop Sing's letter, there fluttered to the ground a square strip of yellow paper covered with hieroglyphics, which, at first glance, I innocently took to be the label from a pack of Chinese fire-crackers. But the same envelope also contained a smaller strip of rice-paper, with two Chinese characters traced in India ink, that I at once knew to be Hop Sing's visiting-card. The whole, as afterwards literally translated, ran as follows:--
"To the stranger the gates of my house are not closed: the rice-jar is on the left, and the sweetmeats on the right, as you enter.
Two sayings of the Master:--
Hospitality is the virtue of the son and the wisdom of the ancestor.
The Superior man is light hearted after the crop-gathering: he makes a festival.
When the stranger is in your melon-patch, observe him not too closely: inattention is often the highest form of civility.
Happiness, Peace, and Prosperity.
Admirable, certainly, as was this morality and proverbial wisdom, and although this last axiom was very characteristic of my friend Hop Sing, who was that most sombre of all humorists, a Chinese philosopher, I must confess, that, even after a very free translation, I was at a loss to make any immediate application of the message. Luckily I discovered a third enclosure in the shape of a little note in English, and Hop Sing's own commercial hand. It ran thus:--
"The pleasure of your company is requested at No. -- Sacramento Street, on Friday evening at eight o'clock. A cup of tea at nine,-- sharp.
This explained all. It meant a visit to Hop Sing's warehouse, the opening and exhibition of some rare Chinese novelties and curios, a chat in the back office, a cup of tea of a perfection unknown beyond these sacred precincts, cigars, and a visit to the Chinese theatre or temple. This was, in fact, the favorite programme of Hop Sing when he exercised his functions of hospitality as the chief factor or superintendent of the Ning Foo Company.
At eight o'clock on Friday evening, I entered the warehouse of Hop Sing. There was that deliciously commingled mysterious foreign odor that I had so often noticed; there was the old array of uncouth-looking objects, the long procession of jars and crockery, the same singular blending of the grotesque and the mathematically neat and exact, the same endless suggestions of frivolity and fragility, the same want of harmony in colors, that were each, in themselves, beautiful and rare. Kites in the shape of enormous dragons and gigantic butterflies; kites so ingeniously arranged as to utter at intervals, when facing the wind, the cry of a hawk; kites so large as to be beyond any boy's power of restraint,--so large that you understood why kite-flying in China was an amusement for adults; gods of china and bronze so gratuitously ugly as to be beyond any human interest or sympathy from their very impossibility; jars of sweetmeats covered all over with moral sentiments from Confucius; hats that looked like baskets, and baskets that looked like hats; silks so light that I hesitate to record the incredible number of square yards that you might pass through the ring on your little finger,--these, and a great many other indescribable objects, were all familiar to me. I pushed my way through the dimly-lighted warehouse, until I reached the back office, or parlor, where I found Hop Sing waiting to receive me.
Before I describe him, I want the average reader to discharge from his mind any idea of a Chinaman that he may have gathered from the pantomime. He did not wear beautifully scalloped drawers fringed with little bells (I never met a Chinaman who did); he did not habitually carry his forefinger extended before him at right angles with his body; nor did I ever hear him utter the mysterious sentence, "Ching a ring a ring chaw;" nor dance under any provocation. He was, on the whole, a rather grave, decorous, handsome gentleman. His complexion, which extended all over his head, except where his long pig-tail grew, was like a very nice piece of glazed brown paper-muslin. His eyes were black and bright, and his eyelids set at an angle of fifteen degrees; his nose straight, and delicately formed; his mouth small; and his teeth white and clean. He wore a dark blue silk blouse; and in the streets, on cold days, a short jacket of astrachan fur. He wore, also, a pair of drawers of blue brocade gathered tightly over his calves and ankles, offering a general sort of suggestion, that he had forgotten his trousers that morning, but that, so gentlemanly were his manners, his friends had forborne to mention the fact to him. His manner was urbane, although quite serious. He spoke French and English fluently. In brief, I doubt if you could have found the equal of this Pagan shopkeeper among the Christian traders of San Francisco.
There were a few others present,--a judge of the Federal Court, an editor, a high government official, and a prominent merchant. After we had drunk our tea, and tasted a few sweetmeats from a mysterious jar, that looked as if it might contain a preserved mouse among its other nondescript treasures, Hop Sing arose, and, gravely beckoning us to follow him, began to descend to the basement. When we got there, we were amazed at finding it
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