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- Pinocchio in Africa - 1/16 -

Pinocchio In Africa By Cherubini Translated by Angelo Patri

1. Preface 2. Why Pinocchio Did Not Go To School 3. Pinocchio Assists In Welcoming The Circus 4. Pinocchio Among The Wild Animals 5. Pinocchio Makes Friends With The Wild Animals 6. Pinocchio Determines To Go To Africa 7. Pinocchio In Doubt 8. He Bids Good-by To The Animals 9. Pinocchio Does Not Sleep 10. Pinocchio Eats Dates 11. Pinocchio Lands On A Rock 12. The First Night In Africa 13. Pinocchio Is Well Received 14. Pinocchio Is Arrested 15. Pinocchio's Father 16. Pinocchio Sells Drinking Water 17. A Ride On A Dog's Back 18. The Cave 19. The Caravan 20. The Baby Pulls His Nose 21. Pinocchio Travels With The Caravan 22. He Is Offered For Sale 23. The Bird In The Forest 24. His Adventure With A Lion 25. Pinocchio Is Brought Before The King 26. The Monkeys Stone The Marionette 27. Pinocchio Dreams Again 28. Pinocchio Is Carried Away In An Eggshell 29. Pinocchio Escapes Again 30. Pinocchio Is Swallowed By A Crocodile 31. Pinocchio Is Made Emperor 32. His First Night As Emperor 33. He Sends For The Royal Doctor 34. An Old Story 35. His Duties As Emperor 36. Pinocchio Makes His First Address 37. The Emperor Becomes As Black As A Crow 38. The Hippopotamus Hunt 39. The Emperor Surprises His Subjects By His Wisdom 40. Pinocchio Travels Through The Empire 41. Pinocchio Is Placed In A Cage 42. Pinocchio Performs For The Public 43. Pinocchio Breaks The Cage And Makes His Escape

1. Preface

Collodi's "Pinocchio" tells the story of a wooden marionette and of his efforts to become a real boy. Although he was kindly treated by the old woodcutter, Geppetto, who had fashioned him out of a piece of kindling wood, he was continually getting into trouble and disgrace. Even Fatina, the Fairy with the Blue Hair, could not at once change an idle, selfish marionette into a studious and reliable boy. His adventures, including his brief transformation into a donkey, give the author an opportunity to teach a needed and wholesome lesson without disagreeable moralizing.

Pinocchio immediately leaped into favor as the hero of Italian juvenile romance. The wooden marionette became a popular subject for the artist's pencil and the storyteller's invention. Brought across the seas, he was welcomed by American children and now appears in a new volume which sets forth his travels in Africa. The lessons underlying his fantastic experiences are clear to the youngest readers but are never allowed to become obtrusive. The amusing illustrations of the original are fully equaled in the present edition, while the whimsical nonsense which delights Italian children has been reproduced as closely as a translation permits.

2. Why Pinocchio Did Not Go To School

ONE morning Pinocchio slipped out of bed before daybreak. He got up with a great desire to study, a feeling, it must be confessed, which did not often take hold of him. He dipped his wooden head into the cool, refreshing water, puffed very hard, dried himself, jumped up and down to stretch his legs, and in a few moments was seated at his small worktable.

There was his home work for the day, twelve sums, four pages of penmanship, and the fable of "The Dog and the Rabbit" to learn by heart. He began with the fable, reciting it in a loud voice, like the hero in the play: "'A dog was roaming about the fields, when from behind a little hill jumped a rabbit, which had been nibbling the tender grass.'

"Roaming, nibbling. - The teacher says this is beautiful language. Maybe it is; I have nothing to say about that. Well, one more.

"'A dog was roaming about the fields - when he saw - run out - a rabbit which - which - ' I don't know it; let's begin again. 'A dog was running about eating, eating - ' But eating what? Surely he did not eat grass!

"This fable is very hard; I cannot learn it. Well, I never did have much luck with dogs and rabbits! Let me try the sums. Eight and seven, seventeen; and three, nineteen; and six, twenty-three, put don two and carry three. Nine and three, eleven; and four, fourteen; put down the whole number - one, four; total, four hundred thirteen.

"Ah! good! very good! I do not wish to boast, but I have always had a great liking for arithmetic. Now to prove the answer: eight and sever, sixteen; and three, twenty-one; and six, twenty-four; put down four - why! it's wrong! Eight and seven, fourteen; and three, nineteen; and six - wrong again!

"I know what the trouble is; the wind is not in the right quarter to-day for sums. Perhaps it would be better to take a walk in the open."

No sooner said than done. Pinocchio went out into the street and filled his lungs with the fresh morning air."Ah! here, at least, one can breathe. It is a pity that I am beginning to feel hungry! Strange how things go wrong sometimes! Take the lessons - " he went on.

Listen! A noise of creaking wheels, of bells ringing, the voices of people, the cries of animals! Pinocchio stopped short. What could it all mean?

Down the street came a huge wagon drawn by three big mules. Behind it was a long train of men and women dressed in the strangest fashion. Some were on foot, some on horseback, some sat or lay on other wagons larger and heavier than the first. Two Moors, their scarlet turbans blazing in the sun, brought up the rear. With spears at rest and with shields held before them, they rode along, mounted on two snow-white horses.

Pinocchio stood with his mouth open. Only after the two Moors had passed did he discover the fact that he had legs, and that these were following on behind the procession. And he walked, walked, walked, until the carriages and all the people stopped in the big town square. A man with a deep voice began to give orders. In a short time there arose an immense tent, which hid from Pinocchio and the many others who had gathered in the square all those wonderful wagons, horses, mules, and strange people.

It may seem odd, but it is a fact that the school bell began to ring and Pinocchio never heard it!

3. Pinocchio Assists In Welcoming The Circus

THAT day the school bell rang longer and louder perhaps than it was wont to ring on other days. What of that? From the tent came the loud clanging of hammers, the sounds of instruments, the neighing of horses, the roaring of lions and tigers and panthers, the howling of wolves, the bleating of camels, the screeching of monkeys! Wonderful noises! Who cared for the school bell? Pinocchio? No, not he.

Suddenly there was a loud command. All was still.

The two Moors raised the tent folds with their spears. Out came a crowd of men dressed in all sorts of fine clothes, and women in coats of mail and beautiful cloaks of silk, with splendid diadems on their heads. They were all mounted upon horses covered with rich trappings of red and white.

Out they marched, and behind them came a golden carriage drawn by four white ponies. In it was the big man with the deep voice. There he sat in the beautiful carriage with his dazzling high hat and his tall white collar. He wore a black suit with a pair of high boots. As he rode on he waved his white gloves and bowed right and left. The band with its trumpets and drums and cymbals struck up a stirring march, and a parade such as the townsfolk had never seen before passed out among the crowds that now filled the square.

The marionette could not believe his eyes. He rubbed them to see if he was really awake. He forgot all about his hunger. What did he care for that? The wonders of the whole world were before him.

The parade soon reentered the tent. The two Moors, mounted upon their snow-white horses, again stood at the entrance. Then the director, the man with the loud voice, came out, hat in hand, and began to address the people.

4. Pinocchio Among The Wild Animals

"LADIES and gentlemen! kind and gentle people! citizens of a great town! officers and soldiers! I wish you all peace, health, and plenty.

"Ladies and gentlemen, first of all, let me make a brief explanation. I am not here for gain. Far be it from me to think of such a thing as money. I travel the world over with my menagerie, which is made up of rare animals brought by me from the heart of Africa. I perform only in large cities. But to-day one of the monkeys in the troupe is fallen seriously ill. It is therefore necessary to make a short stop in order that we may consult with some well-known doctor in this town.

"Profit, therefore, by this chance, ladies and gentlemen, to see wonders which you have never seen before, and which you may never see again. I labor to spread learning, and I work to teach the masses, for

Pinocchio in Africa - 1/16

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