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- In the Closed Room - 1/7 -


IN THE CLOSED ROOM

by

FRANCES HODGSON BURNETT Author of Little Lord Fauntleroy and The Little Princess

Illustrations by

Jessie Willcox Smith

LIST OF ILLUSTRATIONS

The playing today was even a lovelier, happier thing than it had ever been before . . . . Frontispiece

She often sat curving her small long fingers backward

They gazed as if they had known each other for ages of years

"Come and play with me"

She must go and stand at the door and press her cheek against the wood and wait--and listen

She began to mount the stairs which led to the upper floors

The ledge of the window was so low that a mere step took her outside

"I'm going up to play with the little girl, mother . . . You don't mind, do you?"

PART ONE

In the fierce airless heat of the small square room the child Judith panted as she lay on her bed. Her father and mother slept near her, drowned in the heavy slumber of workers after their day's labour. Some people in the next flat were quarrelling, irritated probably by the appalling heat and their miserable helplessness against it. All the hot emanations of the sun-baked city streets seemed to combine with their clamour and unrest, and rise to the flat in which the child lay gazing at the darkness. It was situated but a few feet from the track of the Elevated Railroad and existence seemed to pulsate to the rush and roar of the demon which swept past the windows every few minutes. No one knew that Judith held the thing in horror, but it was a truth that she did. She was only seven years old, and at that age it is not easy to explain one's self so that older people can understand.

She could only have said, "I hate it. It comes so fast. It is always coming. It makes a sound as if thunder was quite close. I can never get away from it." The children in the other flats rather liked it. They hung out of the window perilously to watch it thunder past and to see the people who crowded it pressed close together in the seats, standing in the aisles, hanging on to the straps. Sometimes in the evening there were people in it who were going to the theatre, and the women and girls were dressed in light colours and wore hats covered with white feathers and flowers. At such times the children were delighted, and Judith used to hear the three in the next flat calling out to each other, "That's MY lady! That's MY lady! That one's mine!"

Judith was not like the children in the other flats. She was a frail, curious creature, with silent ways and a soft voice and eyes. She liked to play by herself in a corner of the room and to talk to herself as she played. No one knew what she talked about, and in fact no one inquired. Her mother was always too busy. When she was not making men's coats by the score at the whizzing sewing machine, she was hurriedly preparing a meal which was always in danger of being late. There was the breakfast, which might not be ready in time for her husband to reach his "shop" when the whistle blew; there was the supper, which might not be in time to be in waiting for him when he returned in the evening. The midday meal was a trifling matter, needing no special preparation. One ate anything one could find left from supper or breakfast.

Judith's relation to her father and mother was not a very intimate one. They were too hard worked to have time for domestic intimacies, and a feature of their acquaintance was that though neither of them was sufficiently articulate to have found expression for the fact--the young man and woman felt the child vaguely remote. Their affection for her was tinged with something indefinitely like reverence. She had been a lovely baby with a peculiar magnolia whiteness of skin and very large, sweetly smiling eyes of dark blue, fringed with quite black lashes. She had exquisite pointed fingers and slender feet, and though Mr. and Mrs. Foster were--perhaps fortunately--unaware of it, she had been not at all the baby one would have expected to come to life in a corner of the hive of a workman's flat a few feet from the Elevated Railroad.

"Seems sometimes as if somehow she couldn't be mine," Mrs. Foster said at times. "She ain't like me, an' she ain't like Jem Foster, Lord knows. She ain't like none of either of our families I've ever heard of--'ceptin' it might be her Aunt Hester--but SHE died long before I was born. I've only heard mother tell about her. She was a awful pretty girl. Mother said she had that kind of lily-white complexion and long slender fingers that was so supple she could curl 'em back like they was double-jointed. Her eyes was big and had eyelashes that stood out round 'em, but they was brown. Mother said she wasn't like any other kind of girl, and she thinks Judith may turn out like her. She wasn't but fifteen when she died. She never was ill in her life--but one morning she didn't come down to breakfast, and when they went up to call her, there she was sittin' at her window restin' her chin on her hand, with her face turned up smilin' as if she was talkin' to some one. The doctor said it had happened hours before, when she had come to the window to look at the stars. Easy way to go, wasn't it?"

Judith had heard of her Aunt Hester, but she only knew that she herself had hands like her and that her life had ended when she was quite young. Mrs. Foster was too much occupied by the strenuousness of life to dwell upon the passing of souls. To her the girl Hester seemed too remote to appear quite real. The legends of her beauty and unlikeness to other girls seemed rather like a sort of romance.

As she was not aware that Judith hated the Elevated Railroad, so she was not aware that she was fond of the far away Aunt Hester with the long-pointed fingers which could curl backwards. She did not know that when she was playing in her corner of the room, where it was her way to sit on her little chair with her face turned towards the wall, she often sat curving her small long fingers backward and talking to herself about Aunt Hester. But this--as well as many other things--was true. It was not secretiveness which caused the child to refrain from speaking of certain things. She herself could not have explained the reasons for her silence; also it had never occurred to her that explanation and reasons were necessary. Her mental attitude was that of a child who, knowing a certain language, does not speak it to those who have never heard and are wholly ignorant of it. She knew her Aunt Hester as her mother did not. She had seen her often in her dreams and had a secret fancy that she could dream of her when she wished to do so. She was very fond of dreaming of her. The places where she came upon Aunt Hester were strange and lovely places where the air one breathed smelled like flowers and everything was lovely in a new way, and when one moved one felt so light that movement was delightful, and when one wakened one had not quite got over the lightness and for a few moments felt as if one would float out of bed.

The healthy, vigourous young couple who were the child's parents were in a healthy, earthly way very fond of each other. They had made a genuine love match and had found it satisfactory. The young mechanic Jem Foster had met the young shop-girl Jane Hardy, at Coney Island one summer night and had become at once enamoured of her shop-girl good looks and high spirits. They had married as soon as Jem had had the "raise" he was anticipating and had from that time lived with much harmony in the flat building by which the Elevated train rushed and roared every few minutes through the day and a greater part of the night. They themselves did not object to the "Elevated"; Jem was habituated to uproar in the machine shop, in which he spent his days, and Jane was too much absorbed in the making of men's coats by the dozens to observe anything else. The pair had healthy appetites and slept well after their day's work, hearty supper, long cheerful talk, and loud laughter over simple common joking.

"She's a queer little fish, Judy," Jane said to her husband as they sat by the open window one night, Jem's arm curved comfortably around the young woman's waist as he smoked his pipe. "What do you think she says to me to-night after I put her to bed?"

"Search ME!" said Jem oracularly.

Jane laughed.

"'Why,' she says, 'I wish the Elevated train would stop.'

"'Why?' says I.

"'I want to go to sleep,' says she. 'I'm going to dream of Aunt Hester.'"

"What does she know about her Aunt Hester," said Jem. "Who's been talkin' to her?"

"Not me," Jane said. "She don't know nothing but what she's picked up by chance. I don't believe in talkin' to young ones about dead folks. 'Tain't healthy."

"That's right," said Jem. "Children that's got to hustle about among live folks for a livin' best keep their minds out of


In the Closed Room - 1/7

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