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- Barbara Blomberg, Volume 2. - 5/11 -

The features of most of the persons present expressed reverence and expectation. But although, on account of the clouded sky and the small window panes, the rear of the deep apartment especially was only dimly lighted, the impression produced was neither gloomy nor depressing. This was prevented by the swift movements of the pages, the shrill screams of the gay parrots at the window, the paraphernalia of the chase hung on the wall, and especially by the regent herself, whose clear voice broke the silence with gay unconcern, and exerted a redeeming influence upon the constraint of the listeners.

She had just received the Bishop of Hildesheim, the Prince of Savoy, and the Countess Tassis, but gave each only a brief audience, for the entrance of the conductor of the orchestra had not escaped her attention.

Several other personages of the highest rank were still among the waiting group, and her chamberlain, Count Hochstraaten, asked in a low tone whether she would deign to receive the Count Palatine von Simmern; but she was determined to close the audience, for Wolf Hartschwert had entered the room, and the subjects which she desired to discuss with him and the musicians would permit no witnesses.

So, without answering Hochstraaten's question, she turned her face toward the chamber, and said, loudly enough to be heard by all present:

"This reception must suffice for to-day! Whoever does not know that I used last night in his Majesty's service for a better purpose than sleep will deem me a lazy sluggard. Would to Heaven I had no worse fault! The rising sun sees me more frequently at my station in the hunting grounds than it does many of you, my honoured friends, at the breakfast table. So, Hochstraaten, be kind enough to tell the ladies and gentlemen who have given me the pleasure of their visits, that their patience shall be less severely tried this evening before vespers."

While speaking, she beckoned to the Marquise de Leria, her oldest lady in waiting, and, as the latter bent her aged back to adjust the pillows, the Queen whispered to her to detain the conductor of the orchestra and Sir Wolf Hartschwert.

The order was instantly obeyed, but some time elapsed ere the last of those who had sought an audience left the room, for, although the regent vouchsafed no one a glance, but turned the pages of a note-book which had been lying on the little table at the head of her bed, each person, before crossing the threshold, bowed toward the couch in the slow, formal manner which etiquette dictated.

As soon as Queen Mary found herself alone with the musicians and the marquise, she beckoned graciously to the former, but with familiar kindness to Wolf, and asked for a brief account of his journey. Then she confessed that the Emperor's sufferings and melancholy mood had induced her to subject them to the discomforts of the trip to Ratisbon. His Majesty was ignorant of their presence, but she anticipated the most favourable result upon her royal brother, who so warmly loved and keenly appreciated music, if he could hear unexpectedly the finest melodies, sometimes inspiring, sometimes cheering in tone.

Her inquiry whether his Majesty's orchestra and her own boys would be able to give a performance that evening was eagerly answered in the affirmative by Maestro Gombert, the conductor of the orchestra, and Benedictus Appenzelder, conductor of the boy choir, who was in her personal service. She expressed her pleasure in the knowledge, and then proposed to surprise the Emperor at the principal meal, about midnight, with Jacob Hobrecht's Missa Graecorum, whose magnificent profundity his Majesty especially admired.

Gombert forced himself to keep silence, but the significant smile on his delicate, beardless lips betrayed what he thought of this selection. The conductor of the boy choir was franker. He slightly shook his ponderous head, whose long, gray hair was parted in the middle, and then honestly admitted, in his deep tones, that the Missa Graecorum seemed to him too majestic and gloomy for this purpose. Wolf, too, disapproved of the Queen's suggestion for the same reason, and, though she pointed out that she had chosen this composition precisely on account of its deep religious earnestness, the former persisted in his opposition, and modestly mentioned the melody which would probably be best suited for a surprise at his imperial Majesty's repast.

Maestro Gombert had recently composed a Benedictio Mensae for four voices, and, as it was one of his most effective creations, had never been executed, and therefore would be entirely new to the Emperor, it was specially adapted to introduce the concert with which the monarch was to be surprised at table.

The Queen would have preferred that a religious piece should commence the musical performance, but assented to Wolf's proposal. Gombert himself dispelled her fear that his composition would be purely secular in character, and Wolf upheld him by singing to the musical princess, to the accompaniment of the lute, snatches of the principal theme of the Benedictio, which had impressed itself upon his faithful memory.

Gombert assisted him, but Appenzelder stroked his long beard, signifying his approval by nods and brief exclamations of satisfaction. The Queen was now sincerely glad that this piece of music had been brought to her notice; certainly nothing more suitable for the purpose could have been found. Besides, her kindly nature and feminine tact made her grateful to Wolf for his hint of distinguishing, by the first performance of one of his works, the able conductor and fine composer upon whom she had imposed so fatiguing a journey.

She would gladly have given Appenzelder also some token of her favour, but she could not have used any of his compositions--the most famous of which was a dirge--upon this occasion, and the blunt long-beard frankly admitted this, and declared unasked that he desired nothing better than to offer his Majesty, with the Benedictio, the first greeting of Netherland music.

Gombert's bearing was that of an aristocrat, his lofty brow that of a thinker, and his mobile mouth rendered it easy to perceive what a wealth of joyous mirth dwelt within the soul of this artist, who was equally distinguished in grave and gay moods.

Queen Mary was by no means blind to these merits, and lamented the impossibility of being on more familiar terms of intercourse with him and his colleague of the boy choir. But both were of humble birth, and from childhood custom had prohibited her, as well as the other female members of her family, from associating with persons who did not belong to the nobility. So there was no place for either in her household.

Rough Appenzelder regarded this as fortunate; Gombert thought it a matter of course because custom so ordained.

The stimulus which the Queen could expect from Wolf Hartschwert was certainly far less deep and varied; yet to him who, as a knight, belonged to her train, she granted many favours which she denied the famous Gombert. Besides, Wolf's musical knowledge was as remarkable as his usefulness as a secretary. Lastly, his equable disposition, his unerring sense of propriety, and his well-proved fidelity had gained the full confidence of the royal lady.

By the side of the two composers and leaders of the musicians he looked almost boyish, yet, as the regent was overburdened with affairs of state, she confided to him alone the care of the further success of the surprise.

He was familiar with the rooms of the Golden Cross, and before midnight would have posted the singers and musicians so that his Majesty would first learn through his ears the pleasure which they intended to bestow upon him.


The Queen's commission imposed upon Wolf a long series of inspections, inquiries, orders, and preparations, the most important of which detained him a long time at the Golden Cross.

After he had done what was necessary there, he hastily took a lunch, and then went to the house of the Golden Stag. The steward of the Schiltl family, to whom the house belonged, but who were now in the country, had given the boy choir shelter there, and Wolf was obliged to inform the leader of his arrangements. Appenzelder had intended to practise exercises with his young pupils in the chapel belonging to this old house, familiar to all the inhabitants of Ratisbon, but Wolf found it empty. On the other hand, young, clear voices echoed from a room in the lower story.

The door stood half open, and, before he crossed the threshold, he had heard with surprise the members of the boy choir, lads ranging from twelve to fifteen, discussing how they should spend the leisure time awaiting them.

The ringleader, Giacomo Bianchi, from Bologna, was asserting that "the old bear"--he meant Appenzelder--"would never permit the incomplete choir to sing before the Emperor and his royal sister."

"So we shall have the afternoon," he exclaimed. "The grooms will give me a horse, and after dinner I, and whoever cares to go with me, will ride back to the village where we last stopped. What do I want there? I'll get the kiss which the tavernkeeper's charming little daughter owes me. Her sweet mouth and fair braids with the bows of blue ribbon--I saw nothing prettier anywhere!"

"Yes, these blondes!" cried Angelo Negri, a Neapolitan boy of thirteen, rolling his black eyes upward enthusiastically, and kissing, for lack of warm lips, the empty air.

"Sweet, sweet, sweet," sighed Giacoma Bianchi.

"Sweet enough," remarked little thick-set Cornelius Groen from Breda, in broken Italian. "Yet you surely are not thinking of that silly girl, with her flaxen braids, but of the nice honey and the light white pastry she brought us. If we can get that again, I'll ride there with you."

"I won't," protested Wilhelm Haldema, from Leuwarden in Friesland. "I shall go down to the river with my pole. It's swarming with fish."

Wolf had remained concealed until this moment. Now he entered the huge apartment.

The boys rushed toward him with joyous ease, and, as they crowded around him, asking all sorts of questions, it was evident that he possessed their affection and confidence.

He kindly motioned to them to keep silence, and asked what induced them to expect leisure time on that day, when, by the exertion of all their powers, they were to display their skill in the presence of their mistress and the Emperor.

The answer was not delayed--nay, it sprang from many young lips at the

Barbara Blomberg, Volume 2. - 5/11

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