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- Cleopatra, Volume 7. - 6/11 -


the temple, for since the battle of Actium the superb vessel had been a source of constant anxiety to her.

Cleopatra had now asked the teacher of her childhood the direct question whether the cup--a wide, shallow vessel, with a flat, polished bottom could really have induced Antony to leave the battle and follow her ere the victory was decided. She had used it just before the conflict between the galleys, and this circumstance led Anubis to answer positively in the affirmative.

Long ago the marvellous chalice had been exhibited to her among the temple treasures, and she was told that every one who induced another person to be reflected from its shining surface obtained the mastery over his will. Her wish to possess it, however, was not gratified, and she did not ask for it again until the limitless devotion and ardent love of Antony had seemed less fervent than of yore. From that time she had never ceased to urge her aged friend to place the wondrous cup in her keeping. At first he had absolutely refused, predicting that its use would bring misfortune upon her; but when her request was followed by an imperative command, and the goblet was entrusted to her, Anubis himself believed that this one vessel did possess the magic power attributed to it. He deemed that the drinking-cup afforded the strongest proof of the magic art, far transcending human ability, of the great goddess by whose aid King Nektanebus--who, according to tradition, was the father of Alexander the Great--was said to have made the vessel in the Isis island of Philoe.

Anubis had intended to remind Cleopatra of his refusal, and show her the great danger incurred by mortals who strove to use powers beyond their sphere. It had been his purpose to bid her remember Phaeton, who had almost kindled a conflagration in the world, when he attempted, in the chariot of his father, Phoebus Apollo, to guide the horses of the sun. But this was unnecessary, for he had scarcely assented to the question ere, with passionate vehemence, she ordered him to destroy before her eyes the cup which had brought so much misfortune.

The priest feigned that her desire harmonized with a resolution which he had himself formed. In fact, before her arrival, he had feared that the goblet might be used in some fatal manner if Octavianus should take possession of the city and country, and the wonder-working vessel should fall into his hands. Nektanebus had made the cup for Egypt. To wrest it from the foreign ruler was acting in the spirit of the last king in whose veins had flowed the blood of the Pharaohs, and who had toiled with enthusiastic devotion for the independence and liberty of his people. To destroy this man's marvellous work rather than deliver it to the Roman conqueror seemed to the chief priest, after the Queen's command, a sacred duty, and as such he represented it to be when he commanded the smelting furnace to be fired and the cup transformed into a shapeless mass before the eyes of Cleopatra.

While the metal was melting he eagerly told the Queen how easily she could dispense with the vessel which owed its magic power to the mighty Isis.

The spell of woman's charms was also a gift of the goddess. It would suffice to render Antony's heart soft and yielding as the fire melted the gold. Perhaps the Imperator had forfeited, with the Queen's respect, her love--the most priceless of blessings. He, Anubis, would regard this as a great boon of the Deity; "for," he concluded, "Mark Antony is the cliff which will shatter every effort to secure to my royal mistress undiminished the heritage which has come to her and her children from their ancestors, and preserve the independence and prosperity of this beloved land. This cup was a costly treasure. The throne and prosperity of Egypt are worthy of greater sacrifices. But I know that there is none harder for a woman to make than her love."

The meaning of the old man's words Cleopatra learned the following morning, when she granted the first interview to Timagenes, Octavianus's envoy.

The keen-witted, brilliant man, who had been one of her best teachers and with whom, when a pupil, she had had many an argument, was kindly received, and fulfilled his commission with consummate skill.

The Queen listened attentively to his representations, showed him that her own intellect had not lost in flexibility, though it had gained power; and when she dismissed him, with rich gifts and gracious words, she knew that she could preserve the independence of her beloved native land and retain the throne for herself and her children if she would surrender Antony to the conqueror or to him, as "the person acting," or--these were Timagenes's own words--"remove him forever from the play whose end she had the power to render either brilliant or fateful."

When she was again alone her heart throbbed so passionately and her soul was in such a tumult of agitation that she felt unable to attend the appointed meeting of the Council of the crown. She deferred the session until the following day, and resolved to go out upon the sea, to endeavour to regain her composure.

Antony had refused to see her. This wounded her. The thought of the goblet and its evil influences had by no means passed from her memory with the destruction of the vessel caused by one of those outbursts of passion to which, in these days of disaster, she yielded more frequently than usual. On the contrary, she felt the necessity of being alone, to collect her thoughts and strive to dispel the clouds from her troubled soul.

The beaker had been one of the treasures of Isis, and the memory of it recalled hours during which, in former days, she had often found composure in the temple of the goddess. She wished to seek the sanctuary unnoticed and, accompanied only by Iras and the chief Introducer, went, closely veiled, to the neighbouring temple at the Corner of the Muses.

But she failed to find the object of her pilgrimage. The throng which filled it to pray and offer sacrifices, and the fear of being recognized, destroyed her calmness.

She was in the act of retiring, when Gorgias, the architect, followed by an assistant carrying surveying instruments, advanced towards her. She instantly called him to her side, and he informed her how wonderfully Fate itself seemed to favour her plan of building. The mob had destroyed the house of the old philosopher Didymus, and the grey-haired sage, to whom he had offered the shelter of his home, was now ready to transfer the property inherited from his ancestors, if her Majesty would assure him and his family of her protection.

Then she asked to see the architect's plan for joining the museum to the sanctuary, and became absorbed in the first sketch, to which he had devoted part of the night and morning. He showed it, and with eager urgency Cleopatra commanded him to begin the building as soon as possible and pursue the work night and day. What usually required months must be completed in weeks.

Iras and the "Introducer," clad in plain garments, had waited for her in the temple court and, joined by the architect, accompanied her to the unpretending litter standing at one of the side gates but, instead of entering it, she ordered Gorgias to attend her to the garden.

The inspection proved that the architect was right and, even if the mausoleum occupied a portion of it, and the street which separated it from the Temple of Isis were continued along the shore of the sea, the remainder would still be twice as large as the one belonging to the palace at Lochias.

Cleopatra's thorough examination showed Gorgias that she had some definite purpose in view. Her inquiry whether it would be possible to connect it with the promontory of Lochias indicated what she had in mind, and the architect answered in the affirmative. It was only necessary to tear down some small buildings belonging to the Crown and a little temple of Berenike at the southern part of the royal harbour. The arm of the Agathodaemon Canal which entered here had been bridged long ago.

The new scene which would result from this change had been conjured before the Queen's mental vision with marvellous celerity, and she described it in brief, vivid language to the architect. The garden should remain, but must be enlarged from the Lochias to the bridge. Thence a covered colonnade would lead to the palace. After Gorgias had assured her that all this could easily be arranged, she gazed thoughtfully at the ground for a time, and then gave orders that the work should be commenced at once, and requested him to spare neither means nor men.

Gorgias foresaw a period of feverish toil, but it did not daunt him. With such a master builder he was ready to roof the whole city. Besides, the commission delighted him because it proved that the woman whose mausoleum was to rise from the earth so swiftly still thought of enhancing the pleasures of existence; for, though she wished the garden to remain unchanged, she desired to see the colonnade and the remainder of the work constructed of costly materials and in beautiful forms. When she bade him farewell, Gorgias kissed her robe with ardent enthusiasm.

What a woman! True, she had not even raised her veil, and was attired in plain dark clothing, but every gesture revealed the most perfect grace.

The arm and hand with which she pointed now here, now there, again seemed to him fairly instinct with life; and he, who deemed perfection of form of so much value, found it difficult to avert his eyes from her marvellous symmetry. And her whole figure! What lines, what genuine aristocratic elegance, and warm, throbbing life!

That morning when Helena, now an inmate of his own home, greeted him, he had essayed to compare her, mentally, with Cleopatra, but speedily desisted. The man to whom Hebe proffers nectar does not ask for even the best wine of Byblus. A feeling of grateful, cheerful satisfaction, difficult to describe, stole over him when the reserved, quiet Helena addressed him so warmly and cordially; but the image of Cleopatra constantly thrust itself between them, and it was difficult for him to understand himself. He had loved many women in succession, and now his heart throbbed for two at once, and the Queen was the brighter of the two stars whose light entranced him. Therefore his honest soul would have considered it a crime to woo Helena now.

Cleopatra knew what an ardent admirer she had won in the able architect, and the knowledge pleased her. She had used no goblet to gain him. Doubtless he would begin to build the mausoleum the next morning. The vault must have space for several coffins. Antony had more than once expressed the desire to be buried beside her, wherever he might die, and this had occurred ere she possessed the beaker. She must in any case grant him the same favour, no matter in what place or by whose hand he met death, and the bedimmed light of his existence was but too evidently nearing extinction. If she spared him, Octavianus would strike him from the ranks of the living, and she----Again she was overpowered by the terrible, feverish restlessness which had induced her to command the destruction of the goblet, and had brought her to the temple. She could not return in this mood to meet her councillors, receive visitors, greet her children. This was the birthday of the twins; Charmian had reminded her of it and undertaken to provide the gifts. How could she have found time and thought for such affairs? She had returned from the chief priest late in the evening, yet had asked for a minute description of the condition in which they found Mark Antony. The report made by Iras


Cleopatra, Volume 7. - 6/11

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