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- In The Fire Of The Forge, Volume 2. - 4/10 -

Katterle, with new-born confidence, repeated, as if it were some trivial request, the words Biberli had impressed upon her mind.

"By virtue of the right of every good and devout knight to ask his lady for her colour, Sir Heinz Schorlin, with all due reverence, humbly prays you to name yours; for how could he hold up his head before you and all the knights if he were denied the privilege of wearing it in your honour, in war as well as in peace?"

Here her mistress again interrupted with a positive "I know," and, still more emboldened, Katterle continued the ex-schoolmaster's lesson to the end:

"His lord, my lover says, will wait here beneath the window, in all reverence, though it should be till morning, until you show him your sweet face. No, don't interrupt me yet, Mistress Eva, for you must know that Sir Heinz's lady mother committed her dear son to my Biberli's care, that he might guard him from injury and illness. But since his master met you, he has been tottering about as though he had received a spear-thrust, and as the knight confessed to his faithful servitor that no leech could help him until you permitted him to open his heart to you and show you with what humble devotion----"

But here the maid was interrupted in a manner very different from her expectations, for Eva had raised herself on her pillows and, almost unable to control her voice in the excess of her wrath, exclaimed:

"The master who presumes to seek through his servant---- And by what right does the knight dare thus insolently---- But no! Who knows what modest wish was transformed in your mouth to so unprecedented a demand? He desired to see my face? He wanted to speak to me in person, to confess I know not what? From you--you, Katterle, the maid--the knight expects----"

Here she struck her little hand angrily against the wood of the bedstead and, panting for breath, continued:

"I'll show him!---- Yet no! What I have to answer no one else---- From me, from me alone, he shall learn without delay. There is paper in yonder chest, on the very top; bring it to me, with pen and ink."

Katterle silently hurried to obey this order, but Eva pressed her hand upon her heaving bosom, and gazed silently into vacancy.

The manservant and the maid whom Heinz Schorlin had made his messengers certainly could have no conception of the bond that united her to him; even her own sister had misunderstood it. He should now learn that Eva Ortlieb knew what beseemed her! But she, too, longed for another meeting, and this conduct rendered it necessary.

The sooner they two had a conversation, the better. She could confidently venture to invite him to the meeting which she had in view; her aunt, the abbess, had promised to stand by her side, if she needed her, in her intercourse with the knight.

But her colour?

Katterle had long since laid the paper and writing materials before her, but she still pondered. At last, with a smile of satisfaction, she seized the pen. The manner in which she intended to mention the colour should show him the nature of the bond which united them.

She was mistress of the pen, for in the convent she had copied the gospels, the psalms, and other portions of the Scriptures, yet her hand trembled as she committed the following lines to the paper:

"I am angered--nay, even grieved--that you, a godly knight, who knows the reverence due to a lady, have ventured to await my greeting in front of my father's house. If you are a true knight, you must be aware that you voluntarily promised to obey my every glance. I can rely upon this pledge, and since I find it necessary to talk with you, I invite you to an interview--when and where, my maid, who is betrothed to your servant, shall inform him. A friend, who has your welfare at heart as well as mine, will be with me. It must be soon, with the permission of St. Clare, who, since you have chosen her for your patron saint, looks down upon you as well as on me.

"As for my colour, I know not what to name; the baubles associated with earthly love are unfamiliar to me. But blue is the colour of the pure heaven and its noble queen, the gracious Virgin. If you make this colour yours and fight for it, I shall rejoice, and am willing to name it mine."

At the bottom of the little note she wrote only her Christian name "Eva," and when she read it over she found that it contained, in apt and seemly phrases, everything that she desired to say to the knight.

While folding the paper and considering how she could fasten it, as there was no wax at hand, she thought of the narrow ribbons with which Els tied together, in sets of half a dozen, the fine kerchiefs worn over the neck and bosom, when they came from the wash. They were sky-blue, and nothing could be more suitable for the purpose.

Katterle brought one from the top of the chest. Eva wound it swiftly around the little roll, and the maid hastily left the room, sure of the gratitude of the true and steadfast Biberli.

When Eva was again alone, she at first thought that she might rejoice over her hasty act; but on asking herself what Els would say, she felt certain that she would disapprove of it and, becoming disconcerted, began to imagine what consequences it might entail.

The advice which her father had recently given Wolff, never to let any important letter pass out of his hands until at least one night had elapsed, returned to her memory, and from that instant the little note burdened her soul like a hundred-pound weight.

She would fain have started up to get it back again, and a strong attraction drew her towards the window to ascertain whether Heinz Schorlin had really come and was awaiting her greeting.

Perhaps Katterle had not yet delivered the note. What if she were still standing at the door of the house to wait for Biberli? If, to be absolutely certain, she should just glance out, that would not be looking for the knight, and she availed herself of the excuse without delay.

In an instant she sprang from her bed and gently drew the curtain aside. The street was perfectly still. The linden and the neighbouring houses cast dark, sharply outlined shadows upon the light pavement, and from the convent garden the song of the nightingale echoed down the quiet moonlit street.

Katterle had probably already given the note to Heinz Schorlin who, obedient to his lady's command, as beseemed a knight, had gone away. This soothed her anxiety, and with a sigh she went back to bed.

But the longing to look out into the street again was so strong that she yielded to the temptation; yet, ere she reached the window, she summoned the strength of will which was peculiar to her and, lying down, once more closed her lids, with the firm resolve to see and hear nothing. As she had not shut her eyes the night before and, from dread of the ball, had slept very little during the preceding one, she soon, though the moon was shining in through the parted curtains, lapsed into a condition midway between sleep and waking. Extreme fatigue had deadened consciousness, yet she fancied that at times she heard the sound of footsteps on the pavement outside, and the deep voices of men.

Nor was what she heard in her half-dozing state, which was soon followed by the sound slumber of youth, any delusion of the senses.


The moon found something in front of the Ortlieb house worth looking at. Rarely had she lighted with purer, brighter radiance the pathway of the mortals who excited her curiosity, than that of the two handsome young men who, at a moderate interval of time, passed through the Frauenthor, and finally entered the courtyard of the Ortlieb residence almost at the same instant.

Luna first saw them pace silently to and fro, and delighted in the resentful glances they cast at each other. This joy increased as the one in the long coat, embroidered on the shoulder with birds, and then the other, whose court costume well became his lithe, powerful limbs, sat down, each on one of the chains connecting the granite posts between the street and the courtyard.

The very tall one, who looked grave and anxious, was Wolff Eysvogel; the other, somewhat shorter, who swung gaily to and fro on the chain as if it afforded him much amusement, Heinz Schorlin.

Both frequently glanced up at the lighted bow-window and the smaller one on the second story, behind which Eva lay half asleep. This was the first meeting of the two men.

Wolff, aware of his excellent right to remain on this-spot, would have shown the annoying intruder his displeasure long before, had he not supposed that the other, whom at the first glance he recognised as a knight, was one of Countess Cordula von Montfort's admirers. Yet he soon became unable to control his anger and impatience. Yielding to a hasty impulse, he left the chain, but as he approached the stranger the latter gave his swaying seat a swifter motion and, without vouchsafing him either greeting or introductory remark, said carelessly, "This is a lovely night."

"I am of the same opinion," replied Wolff curtly. "But I would like to ask, sir, what induced you to choose the courtyard of this house to enjoy it?"

"Induced?" asked the Swiss in astonishment; then, looking the other in the face with defiant sharpness, he added scornfully:

"I am warming the chain because it suits me to do so."

"You are allowed the pleasure," returned Wolff in an irritated tone; "nay, I can understand that night birds of your sort find no better amusement. Still, it seems to me that a knight who wishes to keep iron hot might attain his object better in another way."

"Why, of course," cried Heinz Schorlin, springing swiftly to his feet with rare elasticity. "It gives a pleasant warmth when blade strikes blade or the hot blood wets them. I am no friend to darkness, and it seems to me, sir, as if we were standing in each other's light here."

"There our opinions concur for the second time this lovely night," quietly replied the patrician's son, conscious of his unusual strength and skill in fencing, with a slight touch of scorn. "Like you, I am always ready to cross blades with another; only, the public street is

In The Fire Of The Forge, Volume 2. - 4/10

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