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- The Sisters, v2 - 3/10 -
"What! No one to come to meet me?" asked the queen, as she reached the foot of the last flight of porphyry steps that led into the ante-chamber to the banqueting-hall, and, looking round, with an ominous glance, at the chamberlains who had accompanied her, she clinched her small fist. "I arrive and find no one here!"
The "No one" certainly was a figure of speech, since more than a hundred body-guards-Macedonians in rich array of arms-and an equal number of distinguished court-officials were standing on the marble flags of the vast hall, which was surrounded by colonnades, while the star-spangled night-sky was all its roof; and the court-attendants were all men of rank, dignified by the titles of fathers, brothers, relatives, friends and chief-friends of the king.
These all received the queen with a many-voiced "Hail!" but not one of them seemed worthy of Cleopatra's notice. This crowd was less to her than the air we breathe in order to live--a mere obnoxious vapor, a whirl of dust which the traveller would gladly avoid, but which he must nevertheless encounter in order to proceed on his way.
The queen had expected that the few guests, invited by her selection and that of her brother Euergetes to the evening's feast, would have welcomed her here at the steps; she thought they would have seen her--as she felt herself--like a goddess borne aloft in her shell, and that she might have exulted in the admiring astonishment of the Roman and of Lysias, the Corinthian: and now the most critical instant in the part she meant to play that evening had proved a failure, and it suggested itself to her mind that she might be borne back to her roof-tent, and be floated down once more when she was sure of the presence of the company. But there was one thing she dreaded more even than pain and remorse, and that was any appearance of the ridiculous; so she only commanded the bearers to stand still, and while the master of the ceremonies, waiving his dignity, hurried off to announce to her husband that she was approaching, she signed to the nobles highest in rank to approach, that she might address a few gracious words to them, with distant amiability. Only a few however, for the doors of thyia wood leading into the banqueting hall itself, presently opened, and the king with his friends came forward to meet Cleopatra.
"How were we to expect you so early?" cried Philometor to his wife.
"Is it really still early?" asked the queen, "or have I only taken you by surprise, because you had forgotten to expect me?"
"How unjust you are!" replied the king. "Must you now be told that, come as early as you will, you always come too late for my desires."
"But for ours," cried Lysias, "neither too early nor too late, but at the very right time--like returning health and happiness, or the victor's crown."
"Health as taking the place of sickness?" asked Cleopatra, and her eyes sparkled keenly and merrily. "I perfectly understand Lysias," said Publius, intercepting the Greek. "Once, on the field of Mars, I was flung from my horse, and had to lie for weeks on my couch, and I know that there is no more delightful sensation than that of feeling our departed strength returning as we recover. He means to say that in your presence we must feel exceptionally well."
"Nay rather," interrupted Lysias, "our queen seems to come to us like returning health, since so long as she was not in our midst we felt suffering and sick for longing. Thy presence, Cleopatra, is the most effectual remedy, and restores us to our lost health."
Cleopatra politely lowered her fan, as if in thanks, thus rapidly turning the stick of it in her hand, so as to make the diamonds that were set in it sparkle and flash. Then she turned to the friends, and said:
"Your words are most amiable, and your different ways of expressing your meaning remind me of two gems set in a jewel, one of which sparkles because it is skilfully cut, and reflects every light from its mirrorlike facets, while the other shines by its genuine and intrinsic fire. The genuine and the true are one, and the Egyptians have but one word for both, and your kind speech, my Scipio--but I may surely venture to call you Publius--your kind speech, my Publius seems to me to be truer than that of your accomplished friend, which is better adapted to vainer ears than mine. Pray, give me your hand."
The shell in which she was sitting was gently lowered, and, supported by Publius and her husband, the queen alighted and entered the banqueting- hall, accompanied by her guests.
As soon as the curtains were closed, and when Cleopatra had exchanged a few whispered words with her husband, she turned again to the Roman, who had just been joined by Eulaeus, and said:
"You have come from Athens, Publius, but you do not seem to have followed very closely the courses of logic there, else how could it be that you, who regard health as the highest good--that you, who declared that you never felt so well as in my presence--should have quitted me so promptly after the procession, and in spite of our appointment? May I be allowed to ask what business--"
"Our noble friend," answered Eulaeus, bowing low, but not allowing the queen to finish her speech, "would seem to have found some particular charm in the bearded recluses of Serapis, and to be seeking among them the key-stone of his studies at Athens."
"In that he is very right," said the queen. "For from them he can learn to direct his attention to that third division of our existence, concerning which least is taught in Athens--I mean the future--"
"That is in the hands of the gods," replied the Roman. "It will come soon enough, and I did not discuss it with the anchorite. Eulaeus may be informed that, on the contrary, everything I learned from that singular man in the Serapeum bore reference to the things of the past."
"But how can it be possible," said Eulaeus, "that any one to whom Cleopatra had offered her society should think so long of anything else than the beautiful present?"
"You indeed have good reason," retorted Publius quickly, "to enter the lists in behalf of the present, and never willingly to recall the past."
"It was full of anxiety and care," replied Eulaeus with perfect self- possession. "That my sovereign lady must know from her illustrious mother, and from her own experience; and she will also protect me from the undeserved hatred with which certain powerful enemies seem minded to pursue me. Permit me, your majesty, not to make my appearance at the banquet until later. This noble gentleman kept me waiting for hours in the Serapeum, and the proposals concerning the new building in the temple of Isis at Philae must be drawn up and engrossed to-day, in order that they may be brought to-morrow before your royal husband in council and your illustrious brother Euergetes--"
"You have leave, interrupted Cleopatra."
As soon as Eulaeus had disappeared, the queen went closer up to Publius, and said:
"You are annoyed with this man--well, he is not pleasant, but at any rate he is useful and worthy. May I ask whether you only feel his personality repugnant to you, or whether actual circumstances have given rise to your aversion--nay, if I have judged rightly, to a very bitterly hostile feeling against him?"
"Both," replied Publius. "In this unmanly man, from the very first, I expected to find nothing good, and I now know that, if I erred at all, it was in his favor. To-morrow I will ask you to spare me an hour when I can communicate to your majesty something concerning him, but which is too repulsive and sad to be suitable for telling in an evening devoted to enjoyment. You need not be inquisitive, for they are matters that belong to the past, and which concern neither you nor me."
The high-steward and the cup-bearer here interrupted this conversation by calling them to table, and the royal pair were soon reclining with their guests at the festal board.
Oriental splendor and Greek elegance were combined in the decorations of the saloon of moderate size, in which Ptolemy Philometor was wont to prefer to hold high-festival with a few chosen friends. Like the great reception-hall and the men's hall-with its twenty doors and lofty porphyry columns--in which the king's guests assembled, it was lighted from above, since it was only at the sides that the walls--which had no windows--and a row of graceful alabaster columns with Corinthian acanthus-capitals supported a narrow roof; the centre of the hall was quite uncovered. At this hour, when it was blazing with hundreds of lights, the large opening, which by day admitted the bright sunshine, was closed over by a gold net-work, decorated with stars and a crescent moon of rock-crystal, and the meshes were close enough to exclude the bats and moths which at night always fly to the light. But the illumination of the king's banqueting-hall made it almost as light as day, consisting of numerous lamps with many branches held up by lovely little figures of children in bronze and marble. Every joint was plainly visible in the mosaic of the pavement, which represented the reception of Heracles into Olympus, the feast of the gods, and the astonishment of the amazed hero at the splendor of the celestial banquet; and hundreds of torches were reflected in the walls of polished yellow marble, brought from Hippo Regius; these were inlaid by skilled artists with costly stones, such as lapis lazuli and malachite, crystals, blood-stone, jasper, agates and chalcedony, to represent fruit-pieces and magnificent groups of game or of musical instruments; while the pilasters were decorated with masks of the tragic and comic Muses, torches, thyrsi wreathed with ivy and vine, and pan-pipes. These were wrought in silver and gold, and set with costly marbles, and they stood out from the marble background like metal work on a leather shield, or the rich ornamentation on a sword-sheath. The figures of a Dionysiac procession, forming the frieze, looked down upon the feasters--a fine relievo that had been designed and modelled for Ptolemy Soter by the sculptor Bryaxis, and then executed in ivory and gold.
Everything that met the eye in this hall was splendid, costly, and above all of a genial aspect, even before Cleopatra had come to the throne; and she--here as in her own apartments--had added the busts of the greatest Greek philosophers and poets, from Thales of Miletus down to Strato, who raised chance to fill the throne of God, and from Hesiod to Callimachus; she too had placed the tragic mask side by side with the comic, for at her table--she was wont to say--she desired to see no one who could not enjoy grave and wise discourse more than eating, drinking, and laughter.
Instead of assisting at the banquet, as other ladies used, seated on a chair or at the foot of her husband's couch, she reclined on a couch of her own, behind which stood busts of Sappho the poetess, and Aspasia the friend of Pericles.
Though she made no pretensions to be regarded as a philosopher nor even as a poetess, she asserted her right to be considered a finished connoisseur in the arts of poetry and music; and if she preferred reclining to sitting how should she have done otherwise, since she was fully aware how well it became her to extend herself in a picturesque
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