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- A Thorny Path, Volume 6. - 6/14 -

of the night been placed on board a galley and were now on the way to Sardinia. But a swift vessel should presently be sent to overtake it and bring them back.

And the informer was right, for Caesar's countenance brightened. He did, indeed, blame the Egyptian's overhasty action; but he gave no orders for following up the galley.

Then, after reflecting for a short time, he said:

"I do not find in either of you what I require; but at a pinch we are fain to eat moldy bread, so I must need choose between you two. The one who first brings me that clay figure, and the man who modeled it, in chains and bonds, shall be appointed chief of the night-watch."

Meanwhile Alexander had entered the room. As soon as Caracalla saw him, he beckoned to him, and the artist informed him that he had made good use of his time and had much to communicate. Then he humbly inquired as to the clay figure of which Caesar was speaking, and Caracalla referred him to Zminis. The Egyptian repeated what the Magian had told him.

Alexander listened calmly; but when Zminis ceased speaking, the artist took a deep breath, drew himself up, and pointing a contemptuous finger at the spy, as if his presence poisoned the air, he said: "It is that fellow's fault, great Caesar, if the citizens of my native town dare commit such crimes. He torments and persecutes them in your name. How many a felony has been committed here, merely to scoff at him and his creatures, and to keep them on the alert! We are a light-headed race. Like children, we love to do the forbidden thing, so long as it is no stain on our honor. But that wretch treats all laughter and the most innocent fun as a crime, or so interprets it that it seems so. From this malignant delight in the woes of others, and in the hope of rising higher in office, that wicked man has brought misery on hundreds. It has all been done in thy great name, O Caesar! No man has raised you up more foes than this wretch, who undermines your security instead of protecting it."

Here Zminis, whose swarthy face had become of ashy paleness, broke out in a hoarse tone: "I will teach you, and the whole rabble of traitors at your back--"

But Caesar wrathfully commanded him to be silent, and Alexander quietly went on: "You can threaten, and you will array all your slanderous arts against us, I know you. But here sits a sovereign who protects the innocent--and I and mine are innocent. He will set his heel on your head when he knows you--the curse of this city--for the adder that you are! He is deceiving you now in small things, great Caesar, and later he will deceive you in greater ones. Listen now how he has lied to you. He says he discovered a caricature of your illustrious person in the guise of a soldier. Why, then, did he not bring it away from the place where it could only excite disaffection, and might even mislead those who should see it into the belief that your noble person was that of a dwarf? The answer is self-evident. He left it to betray others into further mockery, to bring them to ruin."

Caesar had listened with approval, and now sternly asked the Egyptian:

"Did you see the image?"

"In the Elephant tavern!" yelled the man.

But Alexander shook his head doubtfully, and begged permission to ask the Egyptian a question. This was granted, and the artist inquired whether the soldier stood alone.

"So far as I remember, yes," replied Zminis, almost beside himself.

"Then your memory is as false as your soul!" Alexander shouted in his face, "for there was another figure by the soldier's side. The clay, still wet, clung to the same board as the figure of the soldier, modeled by the same hand. No, no, my crafty fellow, you will not catch the workman; for, being warned, he is already on the high-seas."

"It is false!" shrieked Zminis.

"That remains to be proved," said Alexander, scornfully.--"Allow me now, great Caesar, to show you the figures. They have been brought by my orders, and are in the anteroom-carefully covered up, of course, for the fewer the persons who see them the better."

Caracalla nodded his consent, and Alexander hurried away; the despot heaping abuse on Zminis, and demanding why he had not at once had the images removed. The Egyptian now confessed that he had only heard of the caricature from a friend, and declared that if he had seen it he should have destroyed it on the spot. Macrinus here tried to excuse the spy, by remarking that this zealous official had only tried to set his services in a favorable light. The falsehood could not be approved, but was excusable. But he had scarcely finished speaking, when his opponent, the praetor, Lucius Priscillianus, observed, with a gravity he but rarely displayed:

"I should have thought that it was the first duty of the man who ought to be Caesar's mainstay and representative here, to let his sovereign hear nothing but the undistorted truth. Nothing, it seems to me, can be less excusable than a lie told to divine Caesar's face!"

A few courtiers, who were out of the prefect's favor, as well as the high-priest of Serapis, agreed with the speaker. Caracalla, however, paid no heed to them, but sat with his eyes fixed on the door, deeply wounded in his vanity by the mere existence of such a caricature.

He had not long to wait. But when the wrapper was taken off the clay figures, he uttered a low snarl, and his flushed face turned pale. Sounds of indignation broke from the bystanders; the blood rose to his cheeks again, and, shaking his fist, he muttered unintelligible threats, while his eyes wandered again and again to the caricatures. They attracted his attention more than all else, and as in an April day the sky is alternately dark and bright, so red and white alternated in his face. Then, while Alexander replied to a few questions, and assured him that the host of the "Elephant" had been very angry, and had gladly handed them over to him to be destroyed, Caracalla seemed to become accustomed to them, for he gazed at them more calmly, and tried to affect indifference. He inquired of Philostratus, as though he wished to be informed, whether he did not think that the artist who had modeled these figures must be a very clever follow; and when the philosopher assented conditionally, he declared that he saw some resemblance to himself--in the features of the apple-dealer. And then he pointed to his own straight legs, only slightly disfigured by an injury to the ankle, to show how shamefully unfair it was to compare them with the lower limbs of a misshapen dwarf. Finally, the figure of the apple-dealer--a hideous pygmy form, with the head of an old man, like enough to his own--roused his curiosity. What was the point of this image? What peculiarity was it intended to satirize? The basket which hung about the neck of the figure was full of fruit, and the object he held in his hand might be an apple, or might be anything else.

With eager and constrained cheerfulness, he inquired the opinion of his "friends," treating as sheer flattery a suggestion from his favorite, Theocritus, that this was not an apple-dealer, but a human figure, who, though but a dwarf in comparison with the gods, nevertheless endowed the world with the gifts of the immortals.

Alexander and Philostratus could offer no explanation; but when the proconsul, Julius Paulinus, observed that the figure was offering the apples for money, as Caesar offered the Roman citizenship to the provincials, he knew for what, Caracalla nodded agreement.

He then provisionally appointed Aristides to the coveted office. The Egyptian should be informed as to his fate. When the prefect was about to remove the figures, Caesar hastily forbade it, and ordered the bystanders to withdraw. Alexander alone was commanded to remain. As soon as they were together, Caesar sprang up and vehemently demanded to know what news he had brought. But the young man hesitated to begin his report. Caracalla, of his own accord, pledged his word once more to keep his oath, and then Alexander assured him that he knew no more than Caesar who were the authors of the epigrams which he had picked up here and there; and, though the satire they contained was venomous in some cases, still he, the sovereign of the world, stood so high that he could laugh them to scorn, as Socrates had laughed when Aristophanes placed him on the stage.

Caesar declared that he scorned these flies, but that their buzzing annoyed him.

Alexander rejoiced at this, and only expressed his regret that most of the epigrams he had collected turned on the death of Caesar's brother Geta. He knew now that it was rash to condemn a deed which--

Here Caesar interrupted him, for he could not long remain quiet, saying sternly:

"The deed was needful, not for me, but for the empire, which is dearer to me than father, mother, or a hundred brothers, and a thousand times dearer than men's opinions. Let me hear in what form the witty natives of this city express their disapproval."

This sounded so dignified and gracious that Alexander ventured to repeat a distich which he had heard at the public baths, whither he had first directed his steps. It did not, however, refer to the murder of Geta, but to the mantle-like garment to which Caesar owed the nickname of Caracalla. It ran thus:

"Why should my lord Caracalla affect a garment so ample? 'Tis that the deeds are many of evil he needs to conceal."

At this Caesar laughed, saying: "Who is there that has nothing to conceal? The lines are not amiss. Hand me your tablets; if the others are no worse--"

"But they are," Alexander exclaimed, anxiously, and I only regret that I should be the instrument of your tormenting yourself--"

"Tormenting?" echoed Caesar, disdainfully. "The verses amuse me, and I find them most edifying. That is all. Hand me the tablets."

The command was so positive, that Alexander drew out the little diptych, with the remark that painters wrote badly, and that what he had noted down was only intended to aid his memory. The idea that Caesar should hear a few home-truths through him had struck him as pleasant, but now the greatness of the risk was clear to him. He glanced at the scrawled characters, and it occurred to him that he had intended to change the word dwarf in one line to Caesar, and to keep the third and most trenchant epigram from the emperor. The fourth and last was very innocent, and he had meant to read it last, to mollify him. So he did not wish to show the tablets. But, as he was about to take them back, Caracalla snatched them from his hand and read with some difficulty:

"Fraternal love was once esteemed A virtue even in the great,

A Thorny Path, Volume 6. - 6/14

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