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- The Weavers, Volume 5. - 2/8 -


so the wife. She said to herself now in sad paraphrase, "And though he loves me little, yet he is my husband, and for what he is it may be that I am in some sense responsible." Yet he is my husband! All that it was came to her; the closed door, the drawn blinds; the intimacy which shut them away from all the world; the things said which can only be said without desecration between two honest souls who love each other; and that sweet isolation which makes marriage a separate world, with its own sacred revelation. This she had known; this had been; and though the image of the sacred thing had been defaced, yet the shrine was not destroyed.

For she believed that each had kept the letter of the law; that, whatever his faults, he had turned his face to no other woman. If she had not made his heart captive and drawn him by an ever-shortening cord of attraction, yet she was sure that none other had any influence over him, that, as he had looked at her in those short-lived days of his first devotion, he looked at no other. The way was clear yet. There was nothing irretrievable, nothing irrevocable, which would for ever stain the memory and tarnish the gold of life when the perfect love should be minted. Whatever faults of mind or disposition or character were his-- or hers--there were no sins against the pledges they had made, nor the bond into which they had entered. Life would need no sponge. Memory might still live on without a wound or a cowl of shame.

It was all part of the music to which she listened, and she was almost oblivious of the brilliant throng, the crowded boxes, or of the Duchess of Snowdon sitting near her strangely still, now and again scanning the beautiful face beside her with a reflective look. The Duchess loved the girl--she was but a girl, after all--as she had never loved any of her sex; it had come to be the last real interest of her life. To her eyes, dimmed with much seeing, blurred by a garish kaleidoscope of fashionable life, there had come a look which was like the ghost of a look she had, how many decades ago.

Presently, as she saw Hylda's eyes withdraw from the stage, and look at her with a strange, soft moisture and a new light in them, she laid her fan confidently on her friend's knee, and said in her abrupt whimsical voice: "You like it, my darling; your eyes are as big as saucers. You look as if you'd been seeing things, not things on that silly stage, but what Verdi felt when he wrote the piece, or something of more account than that."

"Yes, I've been seeing things," Hylda answered with a smile which came from a new-born purpose, the dream of an idealist. "I've been seeing things that Verdi did not see, and of more account, too. . . . Do you suppose the House is up yet?"

A strange look flashed into the Duchess's eyes, which had been watching her with as much pity as interest. Hylda had not been near the House of Commons this session, though she had read the reports with her usual care. She had shunned the place.

"Why, did you expect Eglington?" the Duchess asked idly, yet she was watchful too, alert for every movement in this life where the footsteps of happiness were falling by the edge of a precipice, over which she would not allow herself to look. She knew that Hylda did not expect Eglington, for the decision to come to the opera was taken at the last moment.

"Of course not--he doesn't know we are here. But if it wasn't too late, I thought I'd go down and drive him home."

The Duchess veiled her look. Here was some new development in the history which had been torturing her old eyes, which had given her and Lord Windlehurst as many anxious moments as they had known in many a day, and had formed them into a vigilance committee of two, who waited for the critical hour when they should be needed.

"We'll go at once if you like," she replied. "The opera will be over soon. We sent word to Windlehurst to join us, you remember, but he won't come now; it's too late. So, we'll go, if you like."

She half rose, but the door of the box opened, and Lord Windlehurst looked in quizzically. There was a smile on his face.

"I'm late, I know; but you'll forgive me--you'll forgive me, dear lady," he added to Hylda, "for I've been listening to your husband making a smashing speech for a bad cause."

Hylda smiled. "Then I must go and congratulate him," she answered, and withdrew her hand from that of Lord Windlehurst, who seemed to hold it longer than usual, and pressed it in a fatherly way.

"I'm afraid the House is up," he rejoined, as Hylda turned for her opera- cloak; "and I saw Eglington leave Palace Yard as I came away." He gave a swift, ominous glance towards the Duchess, which Hylda caught, and she looked at each keenly.

"It's seldom I sit in the Peers' Gallery," continued Windlehurst; "I don't like going back to the old place much. It seems empty and hollow. But I wouldn't have missed Eglington's fighting speech for a good deal."

"What was it about?" asked Hylda as they left the box. She had a sudden throb of the heart. Was it the one great question, that which had been like a gulf of fire between them?

"Oh, Turkey--the unpardonable Turk," answered Windlehurst. "As good a defence of a bad case as I ever heard."

"Yes, Eglington would do that well," said the Duchess enigmatically, drawing her cloak around her and adjusting her hair. Hylda looked at her sharply, and Lord Windlehurst slyly, but the Duchess seemed oblivious of having said anything out of the way, and added: "It's a gift seeing all that can be said for a bad cause, and saying it, and so making the other side make their case so strong that the verdict has to be just."

"Dear Duchess, it doesn't always work out that way," rejoined Windlehurst with a dry laugh. "Sometimes the devil's advocate wins."

"You are not very complimentary to my husband," retorted Hylda, looking him in the eyes, for she was not always sure when he was trying to baffle her.

"I'm not so sure of that. He hasn't won his case yet. He has only staved off the great attack. It's coming--soon."

"What is the great attack? What has the Government, or the Foreign Office, done or left undone?" "Well, my dear--" Suddenly Lord Windlehurst remembered himself, stopped, put up his eyeglass, and with great interest seemed to watch a gay group of people opposite; for the subject of attack was Egypt and the Government's conduct in not helping David, in view not alone of his present danger, but of the position of England in the country, on which depended the security of her highway to the East. Windlehurst was a good actor, and he had broken off his words as though the group he was now watching had suddenly claimed his attention. "Well, well, Duchess," he said reflectively, "I see a new nine days' wonder yonder." Then, in response to a reminder from Hylda, he continued: "Ah, yes, the attack! Oh, Persia--Persia, and our feeble diplomacy, my dear lady, though you mustn't take that as my opinion, opponent as I am. That's the charge, Persia--and her cats."

The Duchess breathed a sigh of relief; for she knew what Windlehurst had been going to say, and she shrank from seeing what she felt she would see, if Egypt and Claridge Pasha's name were mentioned. That night at Harnley had burnt a thought into her mind which she did not like. Not that she had any pity for Eglington; her thought was all for this girl she loved. No happiness lay in the land of Egypt for her, whatever her unhappiness here; and she knew that Hylda must be more unhappy still before she was ever happy again, if that might be. There was that concerning Eglington which Hylda did not know, yet which she must know one day--and then! But why were Hylda's eyes so much brighter and softer and deeper to-night? There was something expectant, hopeful, brooding in them. They belonged not to the life moving round her, but were shining in a land of their own, a land of promise. By an instinct in each of them they stood listening for a moment to the last strains of the opera. The light leaped higher in Hylda's eyes.

"Beautiful--oh, so beautiful!" she said, her hand touching the Duchess's arm.

The Duchess gave the slim warm fingers a spasmodic little squeeze. "Yes, darling, beautiful," she rejoined; and then the crowd began to pour out behind them.

Their carriages were at the door. Lord Windlehurst put Hylda in. "The House is up," he said. "You are going on somewhere?"

"No--home," she said, and smiled into his old, kind, questioning eyes. "Home!"

"Home!" he murmured significantly as he turned towards the Duchess and her carriage. "Home!" he repeated, and shook his head sadly.

"Shall I drive you to your house?" the Duchess asked.

"No, I'll go with you to your door, and walk back to my cell. Home!" he growled to the footman, with a sardonic note in the voice.

As they drove away, the Duchess turned to him abruptly. "What did you mean by your look when you said you had seen Eglington drive away from the House?"

"Well, my dear Betty, she--the fly-away--drives him home now. It has come to that."

"To her house--Windlehurst, oh, Windlehurst!"

She sank back in the cushions, and gave what was as near a sob as she had given in many a day. Windlehurst took her hand. "No, not so bad as that yet. She drove him to his club. Don't fret, my dear Betty."

Home! Hylda watched the shops, the houses, the squares, as she passed westward, her mind dwelling almost happily on the new determination to which she had come. It was not love that was moving her, not love for him, but a deeper thing. He had brutally killed love--the full life of it--those months ago; but there was a deep thing working in her which was as near nobility as the human mind can feel. Not in a long time had she neared her home with such expectation and longing. Often on the doorstep she had shut her eyes to the light and warmth and elegance of it, because of that which she did not see. Now, with a thrill of pleasure, she saw its doors open. It was possible Eglington might have come home already. Lord Windlehurst had said that he had left the House. She did not ask if he was in--it had not been her custom for a long time--and servants were curious people; but she looked at the hall-table. Yes, there was a hat which had evidently just been placed there, and gloves, and a stick. He was at home, then.

She hurried to her room, dropped her opera-cloak on a chair, looked at herself in the glass, a little fluttered and critical, and then crossed


The Weavers, Volume 5. - 2/8

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