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- The True Story of My Life - 3/31 -

long as she had any voice in the matter, I should remain at home, and not lose my health as he had done.

That was the case with him; his health had suffered. One morning he woke in a state of the wildest excitement, and talked only of campaigns and Napoleon. He fancied that he had received orders from him to take the command. My mother immediately sent me, not to the physician, but to a so-called wise woman some miles from Odense. I went to her. She questioned me, measured my arm with a woolen thread, made extraordinary signs, and at last laid a green twig upon my breast. It was, she said, a piece of the same kind of tree upon which the Saviour was crucified.

"Go now," said she, "by the river side towards home. If your father will die this time, then you will meet his ghost."

My anxiety and distress may be imagined,--I, who was so full of superstition, and whose imagination was so easily excited.

"And thou hast not met anything, hast thou?" inquired my mother when I got home. I assured her, with beating heart, that I had not.

My father died the third day after that. His corpse lay on the bed: I therefore slept with my mother. A cricket chirped the whole night through.

"He is dead," said my mother, addressing it; "thou needest not call him. The ice maiden has fetched him."

I understood what she meant. I recollected that, in the winter before, when our window panes were frozen, my father pointed to them and showed us a figure as that of a maiden with outstretched arms. "She is come to fetch me," said he, in jest. And now, when he lay dead on the bed, my mother remembered this, and it occupied my thoughts also.

He was buried in St. Knud's churchyard, by the door on the left hand side coming from the altar. My grandmother planted roses upon his grave. There are now in the selfsame place two strangers' graves, and the grass grows green upon them also.

After my father's death I was entirely left to myself. My mother went out washing. I sate alone at home with my little theatre, made dolls' clothes and read plays. It has been told me that I was always clean and nicely dressed. I had grown tall; my hair was long, bright, and almost yellow, and I always went bare-headed. There dwelt in our neighborhood the widow of a clergyman, Madame Bunkeflod, with the sister of her deceased husband. This lady opened to me her door, and hers was the first house belonging to the educated class into which I was kindly received. The deceased clergyman had written poems, and had gained a reputation in Danish literature. His spinning songs were at that time in the mouths of the people. In my vignettes to the Danish poets I thus sang of him whom my contemporaries had forgotten:--

Spindles rattle, wheels turn round, Spinning-songs depart; Songs which youth sings soon become Music of the heart.

Here it was that I heard for the first time the word _poet_ spoken, and that with so much reverence, as proved it to be something sacred. It is true that my father had read Holberg's play to me; but here it was not of these that they spoke, but of verses and poetry. "My brother the poet," said Bunkeflod's sister, and her eyes sparkled as she said it. From her I learned that it was a something glorious, a something fortunate, to be a poet. Here, too, for the first time, I read Shakspeare, in a bad translation, to be sure; but the bold descriptions, the heroic incidents, witches, and ghosts were exactly to my taste. I immediately acted Shakspeare's plays on my little puppet theatre. I saw Hamlet's ghost, and lived upon the heath with Lear. The more persons died in a play, the more interesting I thought it. At this time I wrote my first piece: it was nothing less than a tragedy, wherein, as a matter of course, everybody died. The subject of it I borrowed from an old song about Pyramus and Thisbe; but I had increased the incidents through a hermit and his son, who both loved Thisbe, and who both killed themselves when she died. Many speeches of the hermit were passages from the Bible, taken out of the little catechism, especially from our duty to our neighbors. To the piece I gave the title "Abor and Elvira."

"It ought to be called 'Perch (Aborre) and Stockfish,'" said one of our neighbors wittily to me, as I came with it to her after having read it with great satisfaction and joy to all the people in our street. This entirely depressed me, because I felt that she was turning both me and my poem to ridicule. With a troubled heart I told it to my mother.

"She only said so," replied my mother, "because her son had not done it." I was comforted, and began a new piece, in which a king and queen were among the dramatis personae. I thought it was not quite right that these dignified personages, as in Shakspeare, should speak like other men and women. I asked my mother and different people how a king ought properly to speak, but no one knew exactly. They said that it was so many years since a king had been in Odense, but that he certainly spoke in a foreign language. I procured myself, therefore, a sort of lexicon, in which were German, French, and English words with Danish meanings, and this helped me. I took a word out of each language, and inserted them into the speeches of my king and queen. It was a regular Babel- like language, which I considered only suitable for such elevated personages.

I desired now that everybody should hear my piece. It was a real felicity to me to read it aloud, and it never occurred to me that others should not have the same pleasure in listening to it.

The son of one of our neighbors worked in a cloth manufactory, and every week brought home a sum of money. I was at a loose end, people said, and got nothing. I was also now to go to the manufactory, "not for the sake of the money," my mother said, "but that she might know where I was, and what I was doing."

My old grandmother took me to the place, therefore, and was very much affected, because, said she, she had not expected to live to see the time when I should consort with the poor ragged lads that worked there.

Many of the journeymen who were employed in the manufactory were Germans; they sang and were merry fellows, and many a coarse joke of theirs filled the place with loud laughter. I heard them, and I there learned that, to the innocent ears of a child, the impure remains very unintelligible. It took no hold upon my heart. I was possessed at that time of a remarkably beautiful and high soprano voice, and I knew it; because when I sang in my parents' little garden, the people in the street stood and listened, and the fine folks in the garden of the states-councillor, which adjoined ours, listened at the fence. When, therefore, the people at the manufactory asked me whether I could sing, I immediately began, and all the looms stood still: all the journeymen listened to me. I had to sing again and again, whilst the other boys had my work given them to do. I now told them that I also could act plays, and that I knew whole scenes of Holberg and Shakspeare. Everybody liked me; and in this way, the first days in the manufactory passed on very merrily. One day, however, when I was in my best singing vein, and everybody spoke of the extraordinary brilliancy of my voice, one of the journeymen said that I was a girl, and not a boy. He seized hold of me. I cried and screamed. The other journeymen thought it very amusing, and held me fast by my arms and legs. I screamed aloud, and was as much ashamed as a girl; and then, darting from them, rushed home to my mother, who immediately promised me that I should never go there again.

I again visited Madame Bunkeflod, for whose birthday I invented and made a white silk pincushion. I also made an acquaintance with another old clergyman's widow in the neighborhood. She permitted me to read aloud to her the works which she had from the circulating library. One of them began with these words: "It was a tempestuous night; the rain beat against the window-panes."

"That is an extraordinary book," said the old lady; and I quite innocently asked her how she knew that it was. "I can tell from the beginning," said she, "that it will turn out extraordinary."

I regarded her penetration with a sort of reverence.

Once in the harvest time my mother took me with her many miles from Odense to a nobleman's seat in the neighborhood of Bogense, her native place. The lady who lived there, and with whose parents my mother had lived, had said that some time she might come and see her. That was a great journey for me: we went most of the way on foot, and required, I believe, two days for the journey. The country here made such a strong impression upon me, that my most earnest wish was to remain in it, and become a countryman. It was just in the hop-picking season; my mother and I sat in the barn with a great many country people round a great binn, and helped to pick the hops. They told tales as they sat at their work, and every one related what wonderful things he had seen or experienced. One afternoon I heard an old man among them say that God knew every thing, both what had happened and what would happen. That idea occupied my whole mind, and towards evening, as I went alone from the court, where there was a deep pond, and stood upon some stones which were just within the water, the thought passed through my head, whether God actually knew everything which was to happen there. Yes, he has now determined that I should live and be so many years old, thought I; but, if I now were to jump into the water here and drown myself, then it would not be as he wished; and all at once I was firmly and resolutely determined to drown myself. I ran to where the water was deepest, and then a new thought passed through my soul. "It is the devil who wishes to have power over me!" I uttered a loud cry, and, running away from the place as if I were pursued, fell weeping into my mother's arms. But neither she nor any one else could wring from me what was amiss with me.

"He has certainly seen a ghost," said one of the women; and I almost believed so myself.

My mother married a second time, a young handicraftsman; but his family, who also belonged to the handicraft class, thought that he had married below himself, and neither my mother nor myself were permitted to visit them. My step-father was a young, grave man, who would have nothing to do with my education. I spent my time, therefore, over my peep show and my puppet theatre, and my greatest happiness consisted in collecting bright colored pieces of cloth and silk, which I cut out myself and sewed. My mother regarded it as good exercise preparatory to my becoming a tailor, and took up the idea that I certainly was born for it. I, on the contrary, said that I would go to the theatre and be an actor, a wish which my mother most sedulously opposed, because she knew of no other theatre than those of the strolling players and the rope-dancers. No, a tailor I must and should be. The only thing which in some measure reconciled me to this prospect was, that I should then get so many fragments to make up for my theatre.

My passion for reading, the many dramatic scenes which I knew by heart, and my remarkably fine voice, had turned upon me in some sort the attention of several of the more influential families of Odense. I was sent for to their houses, and the peculiar characteristics of my mind excited their interest. Among others who noticed me was the Colonel

The True Story of My Life - 3/31

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