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- The Author of Beltraffio - 4/10 -


eyes and to prompt her complicated gestures. Those features in especial had a misleading eloquence; they lingered on you with a far- off dimness, an air of obstructed sympathy, which was certainly not always a key to the spirit of their owner; so that, of a truth, a young lady could scarce have been so dejected and disillusioned without having committed a crime for which she was consumed with remorse, or having parted with a hope that she couldn't sanely have entertained. She had, I believe, the usual allowance of rather vain motives: she wished to be looked at, she wished to be married, she wished to be thought original.

It costs me a pang to speak in this irreverent manner of one of Ambient's name, but I shall have still less gracious things to say before I've finished my anecdote, and moreover--I confess it--I owe the young lady a bit of a grudge. Putting aside the curious cast of her face she had no natural aptitude for an artistic development, had little real intelligence. But her affectations rubbed off on her brother's renown, and as there were plenty of people who darkly disapproved of him they could easily point to his sister as a person formed by his influence. It was quite possible to regard her as a warning, and she had almost compromised him with the world at large. He was the original and she the inevitable imitation. I suppose him scarce aware of the impression she mainly produced, beyond having a general idea that she made up very well as a Rossetti; he was used to her and was sorry for her, wishing she would marry and observing how she didn't. Doubtless I take her too seriously, for she did me no harm, though I'm bound to allow that I can only half-account for her. She wasn't so mystical as she looked, but was a strange indirect uncomfortable embarrassing woman. My story gives the reader at best so very small a knot to untie that I needn't hope to excite his curiosity by delaying to remark that Mrs. Ambient hated her sister- in-law. This I learned but later on, when other matters came to my knowledge. I mention it, however, at once, for I shall perhaps not seem to count too much on having beguiled him if I say he must promptly have guessed it. Mrs. Ambient, a person of conscience, put the best face on her kinswoman, who spent a month with her twice a year; but it took no great insight to recognise the very different personal paste of the two ladies, and that the usual feminine hypocrisies would cost them on either side much more than the usual effort. Mrs. Ambient, smooth-haired, thin-lipped, perpetually fresh, must have regarded her crumpled and dishevelled visitor as an equivocal joke; she herself so the opposite of a Rossetti, she herself a Reynolds or a Lawrence, with no more far-fetched note in her composition than a cold ladylike candour and a well-starched muslin dress.

It was in a garment and with an expression of this kind that she made her entrance after I had exchanged a few words with Miss Ambient. Her husband presently followed her and, there being no other company, we went to dinner. The impressions I received at that repast are present to me still. The elements of oddity in the air hovered, as it were, without descending--to any immediate check of my delight. This came mainly, of course, from Ambient's talk, the easiest and richest I had ever heard. I mayn't say to-day whether he laid himself out to dazzle a rather juvenile pilgrim from over the sea; but that matters little--it seemed so natural to him to shine. His spoken wit or wisdom, or whatever, had thus a charm almost beyond his written; that is if the high finish of his printed prose be really, as some people have maintained, a fault. There was such a kindness in him, however, that I've no doubt it gave him ideas for me, or about me, to see me sit as open-mouthed as I now figure myself. Not so the two ladies, who not only were very nearly dumb from beginning to end of the meal, but who hadn't even the air of being struck with such an exhibition of fancy and taste. Mrs. Ambient, detached, and inscrutable, met neither my eye nor her husband's; she attended to her dinner, watched her servants, arranged the puckers in her dress, exchanged at wide intervals a remark with her sister-in-law and, while she slowly rubbed her lean white hands between the courses, looked out of the window at the first signs of evening--the long June day allowing us to dine without candles. Miss Ambient appeared to give little direct heed to anything said by her brother; but on the other hand she was much engaged in watching its effect upon me. Her "die-away" pupils continued to attach themselves to my countenance, and it was only her air of belonging to another century that kept them from being importunate. She seemed to look at me across the ages, and the interval of time diminished for me the inconvenience. It was as if she knew in a general way that he must be talking very well, but she herself was so at home among such allusions that she had no need to pick them up and was at liberty to see what would become of the exposure of a candid young American to a high aesthetic temperature.

The temperature was aesthetic certainly, but it was less so than I could have desired, for I failed of any great success in making our friend abound about himself. I tried to put him on the ground of his own genius, but he slipped through my fingers every time and shifted the saddle to one or other of his contemporaries. He talked about Balzac and Browning, about what was being done in foreign countries, about his recent tour in the East and the extraordinary forms of life to be observed in that part of the world. I felt he had reasons for holding off from a direct profession of literary faith, a full consistency or sincerity, and therefore dealt instead with certain social topics, treating them with extraordinary humour and with a due play of that power of ironic evocation in which his books abound. He had a deal to say about London as London appears to the observer who has the courage of some of his conclusions during the high-pressure time--from April to July--of its gregarious life. He flashed his faculty of playing with the caught image and liberating the wistful idea over the whole scheme of manners or conception of intercourse of his compatriots, among whom there were evidently not a few types for which he had little love. London in short was grotesque to him, and he made capital sport of it; his only allusion that I can remember to his own work was his saying that he meant some day to do an immense and general, a kind of epic, social satire. Miss Ambient's perpetual gaze seemed to put to me: "Do you perceive how artistic, how very strange and interesting, we are? Frankly now is it possible to be MORE artistic, MORE strange and interesting, than this? You surely won't deny that we're remarkable." I was irritated by her use of the plural pronoun, for she had no right to pair herself with her brother; and moreover, of course, I couldn't see my way to--at all genially--include Mrs. Ambient. Yet there was no doubt they were, taken together, unprecedented enough, and, with all allowances, I had never been left, or condemned, to draw so many rich inferences.

After the ladies had retired my host took me into his study to smoke, where I appealingly brought him round, or so tried, to some disclosure of fond ideals. I was bent on proving I was worthy to listen to him, on repaying him for what he had said to me before dinner, by showing him how perfectly I understood. He liked to talk; he liked to defend his convictions and his honour (not that I attacked them); he liked a little perhaps--it was a pardonable weakness--to bewilder the youthful mind even while wishing to win it over. My ingenuous sympathy received at any rate a shock from three or four of his professions--he made me occasionally gasp and stare. He couldn't help forgetting, or rather couldn't know, how little, in another and drier clime, I had ever sat in the school in which he was master; and he promoted me as at a jump to a sense of its penetralia. My trepidations, however, were delightful; they were just what I had hoped for, and their only fault was that they passed away too quickly; since I found that for the main points I was essentially, I was quite constitutionally, on Mark Ambient's "side." This was the taken stand of the artist to whom every manifestation of human energy was a thrilling spectacle and who felt for ever the desire to resolve his experience of life into a literary form. On that high head of the passion for form the attempt at perfection, the quest for which was to his mind the real search for the holy grail--he said the most interesting, the most inspiring things. He mixed with them a thousand illustrations from his own life, from other lives he had known, from history and fiction, and above all from the annals of the time that was dear to him beyond all periods, the Italian cinque- cento. It came to me thus that in his books he had uttered but half his thought, and that what he had kept back from motives I deplored when I made them out later--was the finer and braver part. It was his fate to make a great many still more "prepared" people than me not inconsiderably wince; but there was no grain of bravado in his ripest things (I've always maintained it, though often contradicted), and at bottom the poor fellow, disinterested to his finger-tips and regarding imperfection not only as an aesthetic but quite also as a social crime, had an extreme dread of scandal. There are critics who regret that having gone so far he didn't go further; but I regret nothing--putting aside two or three of the motives I just mentioned-- since he arrived at a noble rarity and I don't see how you can go beyond that. The hours I spent in his study--this first one and the few that followed it; they were not, after all, so numerous--seem to glow, as I look back on them, with a tone that is partly that of the brown old room, rich, under the shaded candle-light where we sat and smoked, with the dusky delicate bindings of valuable books; partly that of his voice, of which I still catch the echo, charged with the fancies and figures that came at his command. When we went back to the drawing-room we found Miss Ambient alone in possession and prompt to mention that her sister-in-law had a quarter of an hour before been called by the nurse to see the child, who appeared rather unwell--a little feverish.

"Feverish! how in the world comes he to be feverish?" Ambient asked. "He was perfectly right this afternoon."

"Beatrice says you walked him about too much--you almost killed him."

"Beatrice must be very happy--she has an opportunity to triumph!" said my friend with a bright bitterness which was all I could have wished it.

"Surely not if the child's ill," I ventured to remark by way of pleading for Mrs. Ambient.

"My dear fellow, you aren't married--you don't know the nature of wives!" my host returned with spirit.

I tried to match it. "Possibly not; but I know the nature of mothers."

"Beatrice is perfect as a mother," sighed Miss Ambient quite tremendously and with her fingers interlaced on her embroidered knees.

"I shall go up and see my boy," her brother went on." Do you suppose he's asleep?"

"Beatrice won't let you see him, dear"--as to which our young lady looked at me, though addressing our companion.

"Do you call that being perfect as a mother?" Ambient asked.

"Yes, from her point of view."

"Damn her point of view!" cried the author of "Beltraffio." And he left the room; after which we heard him ascend the stairs.

I sat there for some ten minutes with Miss Ambient, and we naturally


The Author of Beltraffio - 4/10

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