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- Smith and the Pharaohs, and other tales - 1/46 -


Etext prepared by John Bickers and Dagny

SMITH AND THE PHARAOHS

AND OTHER TALES

BY

H. RIDER HAGGARD

SMITH AND THE PHARAOHS

I

Scientists, or some scientists--for occasionally one learned person differs from other learned persons--tell us they know all that is worth knowing about man, which statement, of course, includes woman. They trace him from his remotest origin; they show us how his bones changed and his shape modified, also how, under the influence of his needs and passions, his intelligence developed from something very humble. They demonstrate conclusively that there is nothing in man which the dissecting-table will not explain; that his aspirations towards another life have their root in the fear of death, or, say others of them, in that of earthquake or thunder; that his affinities with the past are merely inherited from remote ancestors who lived in that past, perhaps a million years ago; and that everything noble about him is but the fruit of expediency or of a veneer of civilisation, while everything base must be attributed to the instincts of his dominant and primeval nature. Man, in short, is an animal who, like every other animal, is finally subdued by his environment and takes his colour from his surroundings, as cattle do from the red soil of Devon. Such are the facts, they (or some of them) declare; all the rest is rubbish.

At times we are inclined to agree with these sages, especially after it has been our privilege to attend a course of lectures by one of them. Then perhaps something comes within the range of our experience which gives us pause and causes doubts, the old divine doubts, to arise again deep in our hearts, and with them a yet diviner hope.

Perchance when all is said, so we think to ourselves, man /is/ something more than an animal. Perchance he has known the past, the far past, and will know the future, the far, far future. Perchance the dream is true, and he does indeed possess what for convenience is called an immortal soul, that may manifest itself in one shape or another; that may sleep for ages, but, waking or sleeping, still remains itself, indestructible as the matter of the Universe.

An incident in the career of Mr. James Ebenezer Smith might well occasion such reflections, were any acquainted with its details, which until this, its setting forth, was not the case. Mr. Smith is a person who knows when to be silent. Still, undoubtedly it gave cause for thought to one individual--namely, to him to whom it happened. Indeed, James Ebenezer Smith is still thinking over it, thinking very hard indeed.

J. E. Smith was well born and well educated. When he was a good- looking and able young man at college, but before he had taken his degree, trouble came to him, the particulars of which do not matter, and he was thrown penniless, also friendless, upon the rocky bosom of the world. No, not quite friendless, for he had a godfather, a gentleman connected with business whose Christian name was Ebenezer. To him, as a last resource, Smith went, feeling that Ebenezer owed him something in return for the awful appellation wherewith he had been endowed in baptism.

To a certain extent Ebenezer recognised the obligation. He did nothing heroic, but he found his godson a clerkship in a bank of which he was one of the directors--a modest clerkship, no more. Also, when he died a year later, he left him a hundred pounds to be spent upon some souvenir.

Smith, being of a practical turn of mind, instead of adorning himself with memorial jewellery for which he had no use, invested the hundred pounds in an exceedingly promising speculation. As it happened, he was not misinformed, and his talent returned to him multiplied by ten. He repeated the experiment, and, being in a position to know what he was doing, with considerable success. By the time that he was thirty he found himself possessed of a fortune of something over twenty-five thousand pounds. Then (and this shows the wise and practical nature of the man) he stopped speculating and put out his money in such a fashion that it brought him a safe and clear four per cent.

By this time Smith, being an excellent man of business, was well up in the service of his bank--as yet only a clerk, it is true, but one who drew his four hundred pounds a year, with prospects. In short, he was in a position to marry had he wished to do so. As it happened, he did not wish--perhaps because, being very friendless, no lady who attracted him crossed his path; perhaps for other reasons.

Shy and reserved in temperament, he confided only in himself. None, not even his superiors at the bank or the Board of Management, knew how well off he had become. No one visited him at the flat which he was understood to occupy somewhere in the neighbourhood of Putney; he belonged to no club, and possessed not a single intimate. The blow which the world had dealt him in his early days, the harsh repulses and the rough treatment he had then experienced, sank so deep into his sensitive soul that never again did he seek close converse with his kind. In fact, while still young, he fell into a condition of old- bachelorhood of a refined type.

Soon, however, Smith discovered--it was after he had given up speculating--that a man must have something to occupy his mind. He tried philanthropy, but found himself too sensitive for a business which so often resolves itself into rude inquiry as to the affairs of other people. After a struggle, therefore, he compromised with his conscience by setting aside a liberal portion of his income for anonymous distribution among deserving persons and objects.

While still in this vacant frame of mind Smith chanced one day, when the bank was closed, to drift into the British Museum, more to escape the vile weather that prevailed without than for any other reason. Wandering hither and thither at hazard, he found himself in the great gallery devoted to Egyptian stone objects and sculpture. The place bewildered him somewhat, for he knew nothing of Egyptology; indeed, there remained upon his mind only a sense of wonderment not unmixed with awe. It must have been a great people, he thought to himself, that executed these works, and with the thought came a desire to know more about them. Yet he was going away when suddenly his eye fell on the sculptured head of a woman which hung upon the wall.

Smith looked at it once, twice, thrice, and at the third look he fell in love. Needless to say, he was not aware that such was his condition. He knew only that a change had come over him, and never, never could he forget the face which that carven mask portrayed. Perhaps it was not really beautiful save for its wondrous and mystic smile; perhaps the lips were too thick and the nostrils too broad. Yet to him that face was Beauty itself, beauty which drew him as with a cart-rope, and awoke within him all kinds of wonderful imaginings, some of them so strange and tender that almost they partook of the nature of memories. He stared at the image, and the image smiled back sweetly at him, as doubtless it, or rather its original--for this was but a plaster cast--had smiled at nothingness in some tomb or hiding- hole for over thirty centuries, and as the woman whose likeness it was had once smiled upon the world.

A short, stout gentleman bustled up and, in tones of authority, addressed some workmen who were arranging a base for a neighbouring statue. It occurred to Smith that he must be someone who knew about these objects. Overcoming his natural diffidence with an effort, he raised his hat and asked the gentleman if he could tell him who was the original of the mask.

The official--who, in fact, was a very great man in the Museum-- glanced at Smith shrewdly, and, seeing that his interest was genuine, answered--

"I don't know. Nobody knows. She has been given several names, but none of them have authority. Perhaps one day the rest of the statue may be found, and then we shall learn--that is, if it is inscribed. Most likely, however, it has been burnt for lime long ago."

"Then you can't tell me anything about her?" said Smith.

"Well, only a little. To begin with, that's a cast. The original is in the Cairo Museum. Mariette found it, I believe at Karnac, and gave it a name after his fashion. Probably she was a queen--of the eighteenth dynasty, by the work. But you can see her rank for yourself from the broken /uraeus/." (Smith did not stop him to explain that he had not the faintest idea what a /uraeus/ might be, seeing that he was utterly unfamiliar with the snake-headed crest of Egyptian royalty.) "You should go to Egypt and study the head for yourself. It is one of the most beautiful things that ever was found. Well, I must be off. Good day."

And he bustled down the long gallery.

Smith found his way upstairs and looked at mummies and other things. Somehow it hurt him to reflect that the owner of yonder sweet, alluring face must have become a mummy long, long before the Christian era. Mummies did not strike him as attractive.

He returned to the statuary and stared at his plaster cast till one of the workmen remarked to his fellow that if he were the gent he'd go and look at "a live'un" for a change.

Then Smith retired abashed.

On his way home he called at his bookseller's and ordered "all the best works on Egyptology". When, a day or two later, they arrived in a packing-case, together with a bill for thirty-eight pounds, he was somewhat dismayed. Still, he tackled those books like a man, and, being clever and industrious, within three months had a fair working knowledge of the subject, and had even picked up a smattering of hieroglyphics.


Smith and the Pharaohs, and other tales - 1/46

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