charge of Pauline Quenu's fortune. La Joie de Vivre.

He established himself in a studio near the roof of an old house close to the river, and there lived the life of a Bohemian, with an absolute disdain for everything not related to art. He revolted against the canons of the schools, and tried to achieve truth in painting by adopting an exaggerated realism. His hopes became centred in a large painting, which he called /Plein Air/, intended for exhibition in the /Salon/. The picture was rejected, and when shown at a minor exhibition was greeted with derision by the public. About this period began his connection with Christine Hallegrain, with whom he lived for several years, and ultimately married. They took up house at Bennecourt in an old cottage, and there some years passed happily enough, a son named Jacques Louis being born in 1860. But Claude gradually became discontented, and the family returned to Paris, where there began a long struggle against poverty, a struggle beginning in high anticipation and ending in despair. After a long search for a subject for a picture which was to be his masterpiece, Claude selected a stretch of the river near Notre Dame, and into this he intended to put all those new theories of art with which he hoped to revolutionize the world. Everything was sacrificed to this picture; the small fortune left him by his early benefactor was gradually realized to provide food, and when it was exhausted there was little but starvation for the artist and his dependants. The work was begun in a frenzy of genius, but was constantly interrupted by doubts and indecision; it became a monomania, and under its influence Claude's mind gradually became unhinged; the family virus was at last showing itself. Christine was wholly taken up with her husband, and their child died of an illness due greatly to neglect. By this time Claude was incapable of any real feeling save for art, and the death of his child only served to give him a subject for a picture. Having torn himself away from his intended masterpiece for a time, he painted /L'Enfant Mort/, which was exhibited in the /Salon/, and met with an even more contemptuous reception from the public than his /Plein Air/. Christine used all her influence to prevent her husband from returning to his task, but his brain had become obsessed by the great idea, which his hand proved powerless to execute as his mind became increasingly deranged. At length, in a moment of delirium, he hanged himself in front of the picture which had proved the means of his undoing. His genius was incomplete, and he was unable to carry out his own theories, but they were adopted by other and less able successors with better results. He was buried in the cemetery of Cayenne at Saint-Ouen. L'Oeuvre.

LANTIER (MADAME CHRISTINE), wife of the preceding. See Christine Hallegrain. L'Oeuvre.

LANTIER (ETIENNE), the youngest son of Auguste Lantier and Gervaise Macquart, was born in 1846, and accompanied his parents to Paris in 1850. La Fortune des Rougon.

After his mother had been married to Coupeau for some time, and had started her laundry, Etienne was found somewhat in the way, and on the suggestion of Goujet was sent to work in the rivet-making factory where he himself was employed. Later the boy was sent to Lille, where he was apprenticed to an old master of Goujet, an engineer in that town. When Gervaise had fallen into poverty, Etienne, who was by that time a stoker on an engine, was able to send his mother a five-franc piece occasionally. L'Assommoir.

In a moment of passion Etienne struck his chief, and was at once dismissed from his employment. An industrial crisis existed at the time, and, finding it impossible to get work, he tramped from place to place till eventually he arrived at Montsou, worn out with fatigue and want. At the Voreux pit he chanced to get work in a gang led by Maheu, and went underground for the first time. The work was hard and distasteful to him, but he was unwilling to give it up, and was perhaps influenced by the bright eyes of Catherine Maheu, who toiled alongside him. He became more and more impressed with the sense of the hardships of the miners' lives, and his mind was also influenced by Souvarine, a confessed anarchist, beside whom he lodged. Gradually Etienne began to indoctrinate his companions with a spirit of revolt, and when the great strike broke out he became the leader. He did not, however, accept the extreme doctrines of Souvarine, and endeavoured to dissuade the strikers from doing damage to property. In this he was not altogether successful, and his influence became considerably lessened, until he was blamed by his comrades for the hardships they had to endure during the strike, and for its ultimate collapse. He returned to work, and in the terrible catastrophe brought about by Souvarine he was cut off at the bottom of the pit with Chaval and Catherine Maheu. He had always loved Catherine, and notwithstanding their peril, an old jealousy revived, and in a struggle with Chaval, Etienne killed him. Days elapsed before rescue came, and by that time Catherine was dead. After six weeks in hospital, Etienne left for Paris. Germinal.

At Paris, later on, he took part in the Communist rising, and was condemned to death. He was respited, and transported to Noumea, where he married, and became father of a little girl. Le Docteur Pascal.

LANTIER (JACQUES), the second son of Gervaise Macquart and Auguste Lantier, was born at Plassans in 1844. He was six years old when his parents went to Paris with his brothers, Claude and Etienne, leaving him with his godmother, Aunt Phasie, who sent him to the School of Arts and Crafts. After two years passed on the Orleans Railway, he became an engineer of the first-class on the Western Railway. At twenty-six he was a tall, handsome man, with dark hair and a clear complexion. From childhood he had suffered from a complaint which the doctors did not understand, a pain in the head, behind the ears, accompanied by fever and an intense melancholy, which tempted him to hide like a suffering animal. When about sixteen years of age he became affected by a curious form of insanity, the desire to murder any woman of whom he became fond. "On each occasion it seemed like a sudden outburst of blind rage, an ever-recurring thirst to avenge some very ancient offence, the exact recollection of which escaped him. Did it date from so far back, from the harm women had done to his race, from the rancour laid up from male to male since the first deceptions in the depths of the caverns?" Even with his cousin Flore, who loved him from childhood, the same terrible instinct arose, and could only be stilled by flight.

By chance, Jacques was a momentary witness of the murder of President Grandmorin, and when suspicion fell upon the Roubauds he came to be of opinion that it was well-founded, a belief which was confirmed by a subsequent confession to him by Severine. This avowal by Severine placed her in his mind in a different category from all other woman; she had killed, and was a person sacred and apart, a woman he could love without his lust for blood being evoked. At the request of Severine, Jacques promised to kill Roubaud, her husband, whom she had come to hate; but, though all the preparations were made, it was Severine herself whom he killed, in an accession of that homicidal rage which he imagined he had conquered. He escaped all suspicion, and calmly allowed Roubaud and Cabuche to be punished for the crime. In order to see whether the murder of Severine had cured him of his blood lust, he made love to Philomene Sauvagnat, thereby arousing the jealousy of her lover, Pecqueux, who was stoker on the engine driven by Lantier. A quarrel between the two men on the footplate of the engine resulted in both of them falling off, and being cut in pieces beneath the wheels. La Bete Humaine.

LANTIER (JACQUES LOUIS), born 1860, was the son of Claude Lantier and Christine Hallegrain. He was allowed to grow up wild at Bennecourt until he was two and a half years old, when his parents removed to Paris, taking him with them. Life in the city did not agree with the child, who to make matters worse was much neglected, his mother being wholly taken up with her lover, and his father with art. He grew up puny, serious like a little man; at five years his head had grown quite out of proportion to his height, but as his skull increased in size his intelligence diminished. His head alone continued to grow, verging on cretinism, until, in 1869, the unfortunate child died of some obscure form of malnutrition. L'Oeuvre.

LAPOULLE, a soldier in the 106th Regiment of the line, in the squad of Corporal Jean Macquart. He came from the Marshes of Sologne, and was so ignorant that when he joined the regiment he asked to be shown the King. He had great strength, and consequently all the heavy work of his company was assigned to him. After the battle of Sedan, he was one of the prisoners on the Isle d'Iges, where driven frantic by famine, and instigated by Chouteau, he killed Pache, who had hidden some bread from his companions. The following night he attempted to escape by swimming the Meuse, but was killed by a bullet fired by a Prussian sentinel. La Debacle.

LAQUERRIERE (FLORENT), an unfortunate man who died of yellow fever in Dutch Guiana in the arms of Florent. It was by the aid of his papers that Florent, who had escaped from Cayenne, was able to return to France, and to evade the notice of the police. Le Ventre de Paris.

LA ROUQUETTE (M.), a member of the Chamber of Deputies. His sister, Madame de Llorentz, was one of the ladies-in-waiting of the Empress Eugenie. Son Excellence Eugene Rougon.

LA ROUQUETTE (MADEMOISELLE DE). See Madame de Llorentz.

LARSONNEAU, formerly a clerk at the Hotel de Ville along with Aristide Saccard; he was dismissed for prying into the prefet's private drawers. He acted for Saccard in many of the shady transactions in which he could not himself appear, and being entirely unscrupulous ultimately amassed such a sum of money that he was able to start a small banking establishment. La Curee.

He became immensely rich. It was through him that Busch came to know the past life of Aristide Saccard. L'Argent.

LAURE, an actress for whom Joncquier had an infatuation. Nana.

LAURE, a performer in a singing-hall at Montmartre. Hutin, one of Octave Mouret's salesmen, and his friend Lienard applauded her performance so noisily that the police threatened to intervene. Au Bonheur des Dames.

LAURENT, a peasant in easy circumstances who lived near Artaud. Pere Bambousse was anxious to have him as son-in-law. La Faute de l'Abbe Mouret.

LAURENT, the recorder at the court of Rouen who assisted Denizet at the inquiry into the murder of Grandmorin. He was skilful in selecting the essential parts of evidence, so as not to put down anything useless. La Bete Humaine.

LAURENT, a gardener at Bazeilles. He was a man of thirty years of age who had recently lost his mother and his wife, who had both died of the same fever. During the battle of 1st September, 1870, he took part in the defence of Weiss's house, and having only his own body to care for, he determined to sell it dearly, and at each shot to bring down one of the enemy. He continued firing till his ammunition was exhausted, when he was taken prisoner by the Prussians, who finding that he was a civilian removed him, along with Weiss, for instant execution. In the face of the firing party he retained all his calmness, standing with his hands in his pockets till the fatal shots