walls and fortifications; to surrender all their ships but twelve; to restore their exiles; to relinquish their conquests; to become a member of the Peloponnesian Confederacy; and to serve Sparta in all her expeditions, whether by land or by sea. Thus fell imperial Athens (404 B.C. ), in the seventy-third year after the formation of the Confederacy of Delos, the origin of her subsequent empire. Soon after this event, and in the same year, Alcibiades, who had been honored by both Athens and Sparta, and was now the dread of both, met his fate in a foreign land. While living in Phrygia he was murdered by the Persian satrap at the instance of Sparta. It has been said of him that, "with qualities which, if properly applied, might have rendered him the greatest benefactor of Athens, he contrived to attain the infamous distinction of being that citizen who had inflicted upon her the most signal amount of damage."

The war just closed was characterized by many instances of cruelty and heartlessness, in marked contrast with the boasted clemency and culture of the age, of which two prominent illustrations may be given. The first occurred at Platæa in the year 427, soon after the execution by the Athenians of the Mitylene'an prisoners. After a long and heroic defence against the Spartans under King Archida'mus himself, and after a solemn promise had been given that no harm should be illegally done to any person within its walls, Platæa surrendered. But a Spartan court soon after decreed that the Platæan alliance with Athens was a treasonable offence, and punishable, of course, with death. Thereupon all those who had surrendered (two hundred Platæans and twenty-five Athenians) were barbarously murdered. The other instance occurred at Lamp'sacus, where the three thousand prisoners taken by Lysander at Ægospotami were tried by court-martial and put to death.

Referring to these barbarities, MAHAFFY observes, in his Social Life in Greece, that, "though seldom paralleled in human history, they appear to have called forth no cry of horror in Greece. Phil'ocles, the unfortunate Athenian general at Ægospotami, according to Theophrastus, submitted with dignified resignation to a fate which he confessed would have attended the Lacedæmonians had they been vanquished. [Footnote: Plutarch relates that when Lysander asked Philocles what punishment he thought he deserved, undismayed by his misfortunes, he answered, "Do not start a question where there is no judge to decide it; but, now you are a conqueror, proceed as you would have been proceeded with had you been conquered." After this he bathed, dressed himself in a rich robe, and then led his countrymen to execution, being the first to offer his neck to the axe.] The barbarity of the Greeks is but one evidence out of a thousand that, hitherto in the world's history, no culture, no education, no political training, has been able to rival the mature and ultimate effects of Christianity in humanizing society."

CHANGES IN GOVERNMENT AT ATHENS.

The change of government which followed the Spartan occupation of Athens conformed to the aristocratic character of the Spartan institutions. All authority was placed by Lysander in the hands of thirty archons, who became known as the Thirty Tyrants, and whose power was supported by a Spartan garrison. Their cruelty and rapacity knew no bounds, and filled Athens with universal dismay. The streets of Athens flowed with blood, and while many of the best men of the city fell, others more fortunate succeeded in escaping to the territory of the friendly Thebans, who, groaning under Spartan supremacy, sympathized with Athens, and regarded the Thirty as mere instruments for maintaining the Spartan dominion. A large band of exiles soon assembled, and choosing one Thrasybu'lus for their leader, they resolved to strike a blow for the deliverance of their country.

They first seized a small fortress on the frontier of Attica, when, their numbers rapidly increasing, they were able to seize the Piræus, where they entrenched themselves and defeated the force that was brought against them, killing, among others, Cri'ti-as, the chief of the tyrants. The loss of Critias threw the majority into the hands of a party who resolved to depose the Thirty and constitute a new oligarchy of Ten. The rule of the Thirty was overthrown; but the change in government was simply a reduction in the number of tyrants, as the Ten emulated the wickedness of their predecessors, and when the populace turned against them, applied to Sparta for assistance. Lysander again entered Athens at the head of a large force; but the Spartan councils became divided, Lysander was deposed from command, and eventually, by the aid of Sparta herself, the Ten were overthrown. The Spartans now withdrew their forces from Attica, and Athens again became a democracy (403 B.C.). Freed from foreign domination, she soon obtained internal peace; but her empire had vanished.

CHAPTER XII.

GRECIAN LITERATURE AND ART I FROM THE BEGINNING OF THE PERSIAN TO THE CLOSE OF THE PELOPONNESIAN WARS. (500-403 B.C.)

LITERATURE.

In a former chapter we briefly traced the growth of Grecian literature and art from their beginnings down to the time of the Persian wars. Within this period, as we noticed, their progress was the greatest in the Grecian colonies, while, of the cities of central Greece, the one destined to become pre-eminent in literature and the fine arts--Athens--contributed less than several others to intellectual advancement. "She produced no artists to be compared with those of Argos, Corinth, Si'cy-on, and of many other cities, while she could boast of no poets as celebrated as those of the Ionian and Æolian schools." But at the opening of the Persian wars the artistic and literary talent of Greece began to center in Athens, and with the close of that contest properly begins the era of Athenian greatness. Athens, hitherto inferior in magnitude and political importance, having borne the brunt and won the highest martial honor of the conflict with Persia, now took the lead, as well in intellectual progress as in political ascendancy. To this era PROFESSOR SYMONDS refers, as follows:

"It was the struggle with Xerxes which developed all the latent energies of the Greeks, which intensified their national existence, and which secured for Athens, as the central power on which the scattered forces of the race converged, the intellectual dictatorship of Hellas. It was a struggle of spiritual energy against brute force, of liberty against oppression, of intellectual freedom against superstitious ignorance, of civilization against barbarism; and Athens, who had fought and won this battle of the Spirit--by spirit we mean the greatness of the soul, liberty, intelligence, and everything which raises men above brutes and slaves, and makes them free beneath the arch of heaven--became immediately the recognized impersonation of the spirit itself. Whatever was superb in human nature found its natural home and sphere in Athens. We hear no more of the colonies. All great works of art and literature are now produced in Athens, and it is to Athens that the sages come to teach and to be taught." [Footnote: "The Greek Poets." First Series, p. 19.]

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I. LYRIC POETRY.

SIMON'IDES AND PINDAR.

The rapid progress made in the cultivation of lyric poetry preceding the Persian wars found its culmination, during those wars, in Simonides of Ceos, the most brilliant period of whose life was spent at Athens; and in Pindar, a native of Thebes, who is considered the greatest lyric poet of all ages. The life of Simonides was a long one, reaching from 556 to 469 B.C. "Coming forward at a time," says MAHAFFY, "when the tyrants had made poetry a matter of culture, and dissociated it from politics, we find him a professional artist, free from all party struggles, alike welcome at the courts of tyrants and among the citizens of free states; he was respected throughout all the Greek world, and knew well how to suit himself, socially and artistically, to his patrons. The great national struggle with Persia gave him the opportunity of becoming the spokesman of the nation in celebrating the glories of the victors and the heroism of the fallen patriots; and this exceptional opportunity made him quite the foremost poet of his day, and decidedly better known and more admired than Pindar, who has so completely eclipsed him in the attention of posterity." [Footnote: "Classical Greek Literature," vol. i., p. 207.]

Simonides was the intimate friend of Miltiades and Themistocles at Athens, of Pausanias at Sparta, and of the tyrants of Sicily. In the first named city he composed his epigrams on Marathon, Thermopylæ, Salamis, and Platæa--"poems not destined to be merely sung or consigned to parchment, but to be carved in marble or engraved in letters of imperishable bronze upon the works of the noblest architects and statuaries." In his elegy upon Marathon he carried away the prize from Æschylus. He was a most prolific poet, and his writings, comprising all the subjects that human life, with its joys and sorrows, its hopes and disappointments, could furnish, are noted for their sweetness and pure and exquisite polish. He particularly excelled in the pathetic; and the most celebrated of the existing fragments of his muse, the "Lamentation of Dan'a-ë," is a piece of this character. The poem is based upon a tradition concerning Danaë, the daughter of Acris'ius, King of Argos, and her infant son, the offspring of Jove. Acrisius had been told by the oracle that his life would be taken by a son that his daughter should bear, and, for his own preservation, when the boy had reached the age of four years, Acrisius threw both him and his mother into a chest and set them adrift on the sea. But they were rescued by Dictys, a fisherman of the Island of Seri'phus, whose brother Polydec'tes, king of the country, received and protected them. The boy grew up to manhood, and became the famous hero Per'seus, who accidentally killed Acrisius at the funeral games of Polydectes. The following is the

Lamentation of Dan'a-ë.

While, around her lone ark sweeping, Wailed the winds and waters wild, Her young cheeks all wan with weeping, Danae clasped her sleeping child; And "Alas!" cried she, "my dearest, What deep wrongs, what woes are mine; But nor wrongs nor woes thou fearest In that sinless rest of thine. Faint the moonbeams break above thee, And within here all is gloom;