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- A Terrible Secret - 2/86 -


Lady Catheron's portrait and appeal to it aloud in impassioned words:

"On his knees, by your dying bed, by your dying command, he vowed to love and cherish me always--as he did then. Let him take care how he trifles with that vow--let him take care!"

She lifts one hand (on which rubies and diamonds flash) menacingly, then stops. Over the sweep of the storm, the rush of the rain, comes another sound--a sound she has been listening for, longing for, praying for--the rapid roll of carriage wheels up the drive. There can be but one visitor to Catheron Royals to-night, at this hour and in this storm--its master.

She stands still as a stone, white as a statue, waiting. She loves him; she has hungered and thirsted for the sound of his voice, the sight of his face, the clasp of his hand, all these weary, lonely months. In some way it is her life or death she is to take from his hands to-night. And now he is here.

She hears the great hall-door open and close with a clang; she hears the step of the master in the hall--a quick, assured tread she would know among a thousand; she hears a voice--a hearty, pleasant, manly, English voice; a cheery laugh she remembers well.

"The Chief of Lara has returned again."

The quick, excitable blood leaps up from her heart to her face in a rosy rush that makes her lovely. The eyes light, the lips part--she takes a step forward, all anger, all fear, all neglect forgotten--a girl in love going to meet her lover. The door is flung wide by an impetuous hand, and wet and splashed, and tall and smiling, Sir Victor Catheron stands before her.

"My dearest Inez!"

He comes forward, puts his arm around her, and touches his blonde mustache to her flushed cheek.

"My dearest coz, I'm awfully glad to see you again, and looking so uncommonly well too." He puts up his eye-glass to make sure of this fact, then drops it "Uncommonly well," he repeats; "give you my word I never saw you looking half a quarter so handsome before in my life. Ah! why can't we all be Moorish princesses, and wear purple silks and yellow roses?"

He flings himself into an easy-chair before the fire, throws back his blonde head, and stretches forth his boots to the blaze.

"An hour after time, am I not? But blame the railway people--don't blame _me_. Beastly sort of weather for the last week of August--cold as Iceland and raining cats and dogs; the very dickens of a storm, I can tell you."

He give the fire a poke, the light leaps up and illumines his handsome face. He is very like his picture--a little older--a little worn-looking, and with man's "crowning glory," a mustache. The girl has moved a little away from him, the flush of "beauty's bright transcient glow" has died out of her face, the hard, angry look has come back. That careless kiss, that easy, cousinly embrace, have told their story. A moment ago her heart beat high with hope--to the day of her death it never beat like that again.

He doesn't look at her; he gazes at the fire instead, and talks with the hurry of a nervous man. The handsome face is a very effeminate face, and not even the light, carefully trained, carefully waxed mustache can hide the weak, irresolute mouth, the delicate, characterless chin. While he talks carelessly and quickly, while his slim white fingers loop and unloop his watch-chain, in the blue eyes fixed upon the fire there is an uneasy look of nervous fear. And into the keeping of this man the girl with the dark powerful face has given her heart, her fate!

"It seems no end good to be at home again," Sir Victor Catheron says, as if afraid of that brief pause. "You've no idea, Inez, how uncommonly familiar and jolly this blue room, this red fire, looked a moment ago, as I stepped out of the darkness and rain. It brings back the old times--this used to be _her_ favorite morning-room," he glanced at the mother's picture, "and summer and winter a fire always burned here, as now. And you, Inez, _cara mia_, with your gypsy face, most familiar of all."

She moves over to the mantel. It is very low; she leans one arm upon it, looks steadily at him, and speaks at last.

"I am glad Sir Victor Catheron can remember the old times, can still recall his mother, has a slight regard left for Catheron Royals, and am humbly grateful for his recollection of his gypsy cousin. From his conduct of late it was hardly to have been expected."

"It is coming," thinks Sir Victor, with an inward groan; "and, O Lord! _what_ a row it is going to be. When Inez shuts her lips up in that tight line, and snaps her black eyes in that unpleasant way, I know to my cost, it means 'war to the knife.' I'll be routed with dreadful slaughter, and Inez's motto is ever, 'Woe to the conqueror!' Well, here goes!"

He looks up at her, a good-humored smile on his good-looking face.

"Humbly grateful for my recollection of you! My dear Inez, I don't know what you mean. As for my absence--"

"As for your absence," she interrupts, "you were to have been here, if your memory will serve you, on the first of June. It is now the close of August. Every day of that absence has been an added insult to me. Even now you would not have been here if I had not written you a letter you dare not neglect--sent a command you dare not disobey. You are here to-night because you dare not stay away."

Some of the bold blood of the stern old Saxon race from which he sprung is in his veins still. He looks at her full, still smiling.

"Dare not!" he repeats. "You use strong language, Inez. But then you have an excitable sort of nature, and were ever inclined to hyperbole; and it is a lady's privilege to talk."

"And a man's to act. But I begin to think Sir Victor Catheron is something less than a man. The Catheron blood has bred many an outlaw, many bitter, bad men, but to-day I begin to think it has bred something infinitely worse--a traitor and a coward!"

He half springs up, his eyes flashing, then falls back, looks at the fire again, and laughs.

"Meaning me?"

"Meaning you."

"Strong language once more--you assert your prerogative royally, my handsome cousin. From whom did you inherit that two-edged tongue of yours, Inez, I wonder? Your Castilian mother, surely; the women of our house were never shrews. And even _you_, my dear, may go a little too far. Will you drop vituperation and explain? How have I been traitor and coward? It is well we should understand each other fully."

He has grown pale, though he speaks quietly, and his blue eyes gleam dangerously. He is always quiet when most angry.

"It is. And we shall understand each other fully before we part--be very sure of that. You shall learn what I have inherited from my Castilian mother. You shall learn whether you are to play fast and loose with me at your sovereign will. Does your excellent memory still serve you, or must I tell you what day the twenty-third of September is to be?"

He looks up at her, still pale, that smile on his lips, that gleam in his eyes.

"My memory serves me perfectly," he answers coolly; "it was to have been our wedding-day."

_Was to have been_. As he speaks the words coldly, almost cruelly, as she looks in his face, the last trace of color leaves her own. The hot fire dies out of her eyes, an awful terror comes in its place. With all her heart, all her strength, she loves the man she so bitterly reproaches. It seems to her she can look back upon no time in which her love for him is not.

And now, it _was_ to have been!

She turns so ghastly that he springs to his feet in alarm.

"Good Heaven, Inez! you're not going to faint, are you? Don't! Here, take my chair, and for pity's sake don't look like that. I'm a wretch, a brute--what was it I said? Do sit down."

He has taken her in his arms. In the days that are gone he has been very fond, and a little afraid of his gipsy cousin. He is afraid still--horribly afraid, if the truth must be told, now that his momentary anger is gone.

All the scorn, all the defiance has died out of her voice when she speaks again. The great, solemn eyes transfix him with a look he cannot meet.

"_Was to have been_," she repeats, in a sort of whisper; "was to have been. Victor, does that mean it never _is_ to be?"

He turns away, shame, remorse, fear in his averted face. He holds the back of the chair with one hand, she clings to the other as though it held her last hope in life.

"Take time," she says, in the same slow, whispering way. "I can wait. I have waited so long, what does a few minutes more matter now? But think well before you speak--there is more at stake than you know of. My whole future life hangs on your words. A woman's life. Have you ever thought what that implies? 'Was to have been,' you said. Does that mean it never is to be?"

Still no reply. He holds the back of the chair, his face averted, a criminal before his judge.

"And while you think," she goes on, in that slow, sweet voice, "let me recall the past. Do you remember, Victor, the day when I and Juan came here from Spain? Do you remember me? I recall you as plainly at this moment as though it were but yesterday--a little, flaxen-haired, blue-eyed boy in violet velvet, unlike any child I had ever seen before. I saw a woman with a face like an angel, who took me in her arms, and kissed me, and cried over me, for my father's sake. We grew up together, Victor, you and I, such happy, happy years, and I was sixteen, you twenty. And all that time you had my whole heart. Then


A Terrible Secret - 2/86

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