to remake the ring S 19 d 8 clothes S 13 good beef S 4 eggs S 6 debt at the bank S 7 velvet S 12 wine S 6 d 4 meat S 4 mulberries S 2 d 4 mushrooms S 3 d 4 salad S 1 fruit S 1 d 4 candles S 3 ... S 1 flour S 2

Sunday 198 8

bread S 6 wine S 9 d 4 meat S 7 soup S 2 fruit S 3 d 4 candles S 3 d

Monday 31

bread S 6 d 4 meat S 10 d 8 wine S 9 d 4 fruit S 4 soup S 1 d 8

32

1549.

Tuesday

bread S 6 meat S 11 wine S 7 fruit S 9 soup S 2 salad S 1

[Footnote 1548 and 1549: On the same sheet is the text No. 1015 in Leonardo's own handwriting.]

1550.

To Monna Margarita S 5 to Tomaso S 14 to Monna Margarita d 5 S 2 on the day of San Zanobi left ... after payment d 13 S 2 d 4 of Monna Margarita

altogether d 14 S 5 d 4

1551.

On Monday, the l3th of February, I lent lire S 7 to Lionardo to spend, Friday d 7.

[Footnote: This note is followed by an account very like the one given as No. 1549.]

1552.

Stephano Chigi, Canonico ..., servant of the honorable Count Grimani at S. Apostoli.

[Footnote: Compare No. 674, 21-23.]

1553.

Having become anxious ... Bernardo di Simone, Silvestro di Stefano, Bernardo di Jacopo, Francesco di Matteo Bonciani, Antonio di Giovanni Ruberti, Antonio da Pistoia.... Antonio; He who has time and waits for time, will lose his friends and his money.

1554.

Reverend Maestro, Domino Giovanni, I spoke to Maestro Zacaria as a brother about this business, and I made him satisfied with the arrangement that I had wished; that is, as regards the commission that I had from the parties and I say that between us there is no need to pay money down, as regard the pictures of the ...

1555.

Of things seen through a mist that which is nearest its farthest limit will be least visible, and all the more so as they are more remote.

1556.

Theodoricus Rex Semper Augustus.

1557.

Either you say Hesperia alone, and it will mean Italy, or you add ultima, and it will mean Spain. Umbria, part of Tuscany.

[Footnote: The notes in Greek, Nos. 1557, 1558 and 1562 stand in close connection with each other, but the meaning of some words is very doubtful, and a translation is thus rendered impossible.]

1558.

[Footnote: Greek Characters]

1559.

Canonica of ... on the 5th of July 1507; my dearly beloved mother, sisters and cousin I herewith inform you that thanks to God I am ... about the sword which I ... bring it to Maso at the piazza ... and I will settle the business of Piero so that ...

[Footnote: AMORETTI, _Mem. Stor. XXIV_, quotes the first three lines of this letter as by Leonardo. The character of the writing however does not favour this hypothesis, and still less the contents. I should regard it rather a rough draft of a letter by young Melzi. I have not succeeded in deciphering completely the 13 lines of this text. Amoretti reads at the beginning _Canonica di Vaprio_, but _Vaprio_ seems to me a very doubtful reading.]

1560.

Ut bene respondet Naturae ars docta! dedisset Vincius, ut tribuit cetera - sic animam - Noluit ut similis magis haec foret: altera sic est: Possidet illius Maurus amans animam.

[Footnote: These three epigrams on the portrait of Lucrezia Crivelli, a picture by Leonardo which must have been lost at a very early date, seem to have been dedicated to Leonardo by the poet. Leonardo used the reverse of the sheet for notes on geometry.]

Hujus quam cernis nomen Lucretia, Divi Omnia cui larga contribuere manu. Rara huic forma data est; pinxit Leonardos, amavit Maurus, pictorum primus hic, ille ducum.

Naturam, ac superas hac laesit imagine Divas Pictor: tantum hominis posse manum haec doluit, Illae longa dari tam magnae tempera formae, Quae spatio fuerat deperitura brevi.

1561.

Egidius Romanus on the formation of the human body in the mother's womb [Footnote 1: _Liber magistri Egidii de pulsibus matrice conipositus (cum commentario Gentilis de Fulgineo)_ published in 1484 at Padova, in 1494 and in 1514 at Venice, and in 1505 at Lyons.].

[Footnote 2:2. This text appears to be in a handwriting different from that in the note, l. 1. Here the reading is not so simple as AMORETTI gave it, _Mem. Star. XXV: A Monsieur Lyonard Peintre du Roy pour Amboyse_. He says too that this address is of the year 1509, and Mr. Ravaisson remarks: "_De cette suscription il semble qu'on peut inferer que Leonard etait alors en France, a la cour de Louis XII ... Pour conclure je crois qu'il n'est pas prouve que Leonard de Vinci n'ait pas fait un voyage de quelques mois en France sous Louis XII, entre le printemps de 1509 et l'automne de_ 1510."--I must confess that I myself have not succeeded in deciphering completely this French writing of which two words remain to me doubtful. But so much seems to be quite evident that this is not an address of a letter at all, but a certificate or note. _Amboise_[l. 6] I believe to be the signature of Charles d'Amboise the Governor of Milan. If this explanation is the right one, it can be easily explained by the contents of Nos. 1350 and 1529. The note, line 1, was perhaps added later by another hand; and Leonardo himself wrote afterwards on the same sheet some geometrical explanations. I must also point out that the statement that this sheet belongs to the year 1509 has absolutely no foundation in fact. There is no clue whatever for giving a precise date to this note.] To Monsieur le Vinci,--the horses of the king's equerry.... Continue the payment to Ms. Lyonard, Painter to the King.

[6] Amboise.

1562.

[Footnote: Greek Characters]

1563.

Memorandum to Maestro Lionardo to have ... the state of Florence.

1564.

To remind your Excellency that Ridolfo Manini brought to Florence a quantity of crystal besides other stones such as are ...

1565.

XVI C. 6 de Ciuitate Dei, se Antipodes.

[Footnote: A facsimile of this note, which refers to a well known