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- Famous Modern Ghost Stories - 18/55 -


all her family and descendants. He was shot as he knelt, having a mask of leather over his face, because the Bretons who composed the squad of execution refused to fire at a priest unless his face was concealed. The priest was l'Abbe Sorgue, commonly known as the Black Priest on account of his dark face and swarthy eyebrows. He was buried with a stake through his heart."

Le Bihan paused, hesitated, looked at me, and handed the manuscript back to Durand. The gendarme took it and slipped it into the brass cylinder.

"So," said I, "the thirty-ninth skull is the skull of the Black Priest."

"Yes," said Fortin. "I hope they won't find it."

"I have forbidden them to proceed," said the mayor querulously. "You heard me, Max Fortin."

I rose and picked up my gun. Mome came and pushed his head into my hand.

"That's a fine dog," observed Durand, also rising.

"Why don't you wish to find his skull?" I asked Le Bihan. "It would be curious to see whether the arrow brand really burned into the bone."

"There is something in that scroll that I didn't read to you," said the mayor grimly. "Do you wish to know what it is?"

"Of course," I replied in surprise.

"Give me the scroll again, Durand," he said; then he read from the bottom: "I, l'Abbe Sorgue, forced to write the above by my executioners, have written it in my own blood; and with it I leave my curse. My curse on St. Gildas, on Marie Trevec, and on her descendants. I will come back to St. Gildas when my remains are disturbed. Woe to that Englishman whom my branded skull shall touch!"

"What rot!" I said. "Do you believe it was really written in his own blood?"

"I am going to test it," said Fortin, "at the request of Monsieur le Maire. I am not anxious for the job, however."

"See," said Le Bihan, holding out the scroll to me, "it is signed, 'L'Abbe Sorgue.'"

I glanced curiously over the paper.

"It must be the Black Priest," I said. "He was the only man who wrote in the Breton language. This is a wonderfully interesting discovery, for now, at last, the mystery of the Black Priest's disappearance is cleared up. You will, of course, send this scroll to Paris, Le Bihan?"

"No," said the mayor obstinately, "it shall be buried in the pit below where the rest of the Black Priest lies."

I looked at him and recognized that argument would be useless. But still I said, "It will be a loss to history, Monsieur Le Bihan."

"All the worse for history, then," said the enlightened Mayor of St. Gildas.

We had sauntered back to the gravel pit while speaking. The men of Bannalec were carrying the bones of the English soldiers toward the St. Gildas cemetery, on the cliffs to the east, where already a knot of white-coiffed women stood in attitudes of prayer; and I saw the somber robe of a priest among the crosses of the little graveyard.

"They were thieves and assassins; they are dead now," muttered Max Fortin.

"Respect the dead," repeated the Mayor of St. Gildas, looking after the Bannalec men.

"It was written in that scroll that Marie Trevec, of Groix Island, was cursed by the priest--she and her descendants," I said, touching Le Bihan on the arm. "There was a Marie Trevec who married an Yves Trevec of St. Gildas----"

"It is the same," said Le Bihan, looking at me obliquely.

"Oh!" said I; "then they were ancestors of my wife."

"Do you fear the curse?" asked Le Bihan.

"What?" I laughed.

"There was the case of the Purple Emperor," said Max Fortin timidly.

Startled for a moment, I faced him, then shrugged my shoulders and kicked at a smooth bit of rock which lay near the edge of the pit, almost embedded in gravel.

"Do you suppose the Purple-Emperor drank himself crazy because he was descended from Marie Trevec?" I asked contemptuously.

"Of course not," said Max Fortin hastily.

"Of course not," piped the mayor. "I only--Hellow! what's that you're kicking?"

"What?" said I, glancing down, at the same time involuntarily giving another kick. The smooth bit of rock dislodged itself and rolled out of the loosened gravel at my feet.

"The thirty-ninth skull!" I exclaimed. "By jingo, it's the noddle of the Black Priest! See! there is the arrowhead branded on the front!"

The mayor stepped back. Max Fortin also retreated. There was a pause, during which I looked at them, and they looked anywhere but at me.

"I don't like it," said the mayor at last, in a husky, high voice. "I don't like it! The scroll says he will come back to St. Gildas when his remains are disturbed. I--I don't like it, Monsieur Darrel--"

"Bosh!" said I; "the poor wicked devil is where he can't get out. For Heaven's sake, Le Bihan, what is this stuff you are talking in the year of grace 1896?"

The mayor gave me a look.

"And he says 'Englishman.' You are an Englishman, Monsieur Darrel," he announced.

"You know better. You know I'm an American."

"It's all the same," said the Mayor of St. Gildas, obstinately.

"No, it isn't!" I answered, much exasperated, and deliberately pushed the skull till it rolled into the bottom of the gravel pit below.

"Cover it up," said I; "bury the scroll with it too, if you insist, but I think you ought to send it to Paris. Don't look so gloomy, Fortin, unless you believe in werewolves and ghosts. Hey! what the--what the devil's the matter with you, anyway? What are you staring at, Le Bihan?"

"Come, come," muttered the mayor in a low, tremulous voice, "it's time we got out of this. Did you see? Did you see, Fortin?"

"I saw," whispered Max Fortin, pallid with fright.

The two men were almost running across the sunny pasture now, and I hastened after them, demanding to know what was the matter.

"Matter!" chattered the mayor, gasping with exasperation and terror. "The skull is rolling up hill again," and he burst into a terrified gallop, Max Fortin followed close behind.

I watched them stampeding across the pasture, then turned toward the gravel pit, mystified, incredulous. The skull was lying on the edge of the pit, exactly where it had been before I pushed it over the edge. For a second I stared at it; a singular chilly feeling crept up my spinal column, and I turned and walked away, sweat starting from the root of every hair on my head. Before I had gone twenty paces the absurdity of the whole thing struck me. I halted, hot with shame and annoyance, and retraced my steps.

There lay the skull.

"I rolled a stone down instead of the skull," I muttered to myself. Then with the butt of my gun I pushed the skull over the edge of the pit and watched it roll to the bottom; and as it struck the bottom of the pit, Mome, my dog, suddenly whipped his tail between his legs, whimpered, and made off across the moor.

"Mome!" I shouted, angry and astonished; but the dog only fled the faster, and I ceased calling from sheer surprise.

"What the mischief is the matter with that dog!" I thought. He had never before played me such a trick.

Mechanically I glanced into the pit, but I could not see the skull. I looked down. The skull lay at my feet again, touching them.

"Good heavens!" I stammered, and struck at it blindly with my gunstock. The ghastly thing flew into the air, whirling over and over, and rolled again down the sides of the pit to the bottom. Breathlessly I stared at it, then, confused and scarcely comprehending, I stepped back from the pit, still facing it, one, ten, twenty paces, my eyes almost starting from my head, as though I expected to see the thing roll up from the bottom of the pit under my very gaze. At last I turned my back to the pit and strode out across the gorse-covered moorland toward my home. As I reached the road that winds from St. Gildas to St. Julien I gave one hasty glance at the pit over my shoulder. The sun shone hot on the sod about the excavation. There was something white and bare and round on the turf at the edge of the pit. It might have been a stone; there were plenty of them lying about.

II

When I entered my garden I saw Mome sprawling on the stone doorstep. He eyed me sideways and flopped his tail.

"Are you not mortified, you idiot dog?" I said, looking about the upper windows for Lys.

Mome rolled over on his back and raised one deprecating forepaw, as though to ward off calamity.


Famous Modern Ghost Stories - 18/55

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